G# leading whole tone chords

All guitar chords for the G# leading whole tone scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G♯ leading whole tone scale diatonic chords

IA♭ aug
EADGBE11432x
4frEADGBE1x423x5frEADGBE11xx2x9frEADGBE11x32x
IIB♭ aug
EADGBEx1423x
3frEADGBE11432x6frEADGBExx42317frEADGBE11xx2x
IIIC major
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
IVD unknown
D - F♯ - G♯
VE dim
EADGBExx12x3
5frEADGBEx41x237frEADGBEx1243x10frEADGBE31x42x
VIA♭ unknown
F♯ - G♯ - C
VIIG minor
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342

G♯ leading whole tone scale seventh chords

IA♭ major seventh flat sixth
G♯ - C - E - G
IIB♭ unknown
A♯ - D - F♯ - G♯
IIIC 7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
IVD unknown
D - F♯ - G♯ - C
VE m7♭5
EADGBE33312
7frEADGBEx1324x8frEADGBE11xx2411frEADGBE2x341x
VIE unknown
F♯ - G♯ - C - E
VIIG mmaj7
EADGBE3142
3frEADGBE1111325frEADGBE11x34210frEADGBE11x423

scale

Fretboard diagram

G# leading whole tone scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the G# leading whole tone scale on 6-string guitar with 22 frets. Notes: E, F#, G, G#, A#, C, D.EF#GG#A#CDEF#GG#A#CDCDEF#GG#A#CDEF#GG#GG#A#CDEF#GG#A#CDEDEF#GG#A#CDEF#GG#A#CA#CDEF#GG#A#CDEF#GEF#GG#A#CDEF#GG#A#CD1357911121315171921

G# leading whole tone scale — chords and intervals

The harmonized G# leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from G# leading whole tone are G# augmented, A# augmented, C major, D unknown, E diminished, G# unknown, G minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The G# leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: G# augmented, A# augmented, C major, D unknown, E diminished, G# unknown, G minor.

DegreesChord
IG# augmented
iiA# augmented
iiiC major
IVD unknown
VE diminished
viG# unknown
vii°G minor

Degree-by-Degree Analysis

The I chord (G# augmented) is the tonic — the gravitational center of the key. The ii chord (A# augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (C major) functions as a substitute for the I or vi. The IV chord (D unknown) is the subdominant — it adds motion and moderate tension. The V chord (E diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G# unknown) is the relative minor — it brings emotional color and depth. The vii° chord (G minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G# leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G# leading whole tone scale on guitar.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore G# leading whole tone Further