F# leading whole tone chords

All guitar chords for the F# leading whole tone scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

F♯ leading whole tone scale diatonic chords

IF♯ aug
EADGBExx4231
EADGBE11xx2x7frEADGBE11x32x11frEADGBE11432x
IIA♭ aug
EADGBE11432x
4frEADGBE1x423x5frEADGBE11xx2x9frEADGBE11x32x
IIIB♭ major
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
IVC unknown
C - E - F♯
VD dim
EADGBExx1x2
3frEADGBEx41x235frEADGBEx1243x8frEADGBE31x42x
VIF♯ unknown
E - F♯ - A♯
VIIF minor
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx

F♯ leading whole tone scale seventh chords

IF♯ major seventh flat sixth
F♯ - A♯ - D - F
IIA♭ unknown
G♯ - C - E - F♯
IIIB♭ 7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
IVC unknown
C - E - F♯ - A♯
VD m7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
VID unknown
E - F♯ - A♯ - D
VIIF mmaj7
EADGBE111132
3frEADGBExx13428frEADGBE11142312frEADGBExx4231

scale

Fretboard diagram

F# leading whole tone scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the F# leading whole tone scale on 6-string guitar with 22 frets. Notes: E, F, F#, G#, A#, C, D.EFF#G#A#CDEFF#G#A#CDCDEFF#G#A#CDEFF#G#G#A#CDEFF#G#A#CDEFDEFF#G#A#CDEFF#G#A#CA#CDEFF#G#A#CDEFF#EFF#G#A#CDEFF#G#A#CD1357911121315171921

F# leading whole tone scale — chords and intervals

The harmonized F# leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from F# leading whole tone are F# augmented, G# augmented, A# major, C unknown, D diminished, F# unknown, F minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The F# leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: F# augmented, G# augmented, A# major, C unknown, D diminished, F# unknown, F minor.

DegreesChord
IF# augmented
iiG# augmented
iiiA# major
IVC unknown
VD diminished
viF# unknown
vii°F minor

Degree-by-Degree Analysis

The I chord (F# augmented) is the tonic — the gravitational center of the key. The ii chord (G# augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (A# major) functions as a substitute for the I or vi. The IV chord (C unknown) is the subdominant — it adds motion and moderate tension. The V chord (D diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F# unknown) is the relative minor — it brings emotional color and depth. The vii° chord (F minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F# leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F# leading whole tone scale on guitar.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore F# leading whole tone Further