D# leading whole tone chords

All guitar chords for the D# leading whole tone scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D♯ leading whole tone scale diatonic chords

IE♭ aug
3frEADGBExx4231
4frEADGBE11x32x8frEADGBE11432x11frEADGBE1x423x
IIF aug
EADGBExx4231
6frEADGBE11x32x8frEADGBEx1x34210frEADGBE11432x
IIIG major
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
IVA unknown
A - C♯ - D♯
VB dim
EADGBEx3x2
EADGBEx1243x5frEADGBE31x42x9frEADGBExx12x3
VIE♭ unknown
C♯ - D♯ - G
VIID minor
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134

D♯ leading whole tone scale seventh chords

IE♭ major seventh flat sixth
D♯ - G - B - D
IIF unknown
F - A - C♯ - D♯
IIIG 7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
IVA unknown
A - C♯ - D♯ - G
VB m7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
VIE♭ unknown
C♯ - D♯ - G - B
VIID mmaj7
EADGBExx231
2frEADGBE11x425frEADGBE11142310frEADGBE111132

scale

Fretboard diagram

D# leading whole tone scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the D# leading whole tone scale on 6-string guitar with 22 frets. Notes: F, G, A, B, C#, D, D#.FGABC#DD#FGABC#DBC#DD#FGABC#DD#FGAGABC#DD#FGABC#DD#FDD#FGABC#DD#FGABABC#DD#FGABC#DD#FGFGABC#DD#FGABC#D1357911121315171921

D# leading whole tone scale — chords and intervals

The harmonized D# leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from D# leading whole tone are D# augmented, F augmented, G major, A unknown, B diminished, D# unknown, D minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The D# leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: D# augmented, F augmented, G major, A unknown, B diminished, D# unknown, D minor.

DegreesChord
ID# augmented
iiF augmented
iiiG major
IVA unknown
VB diminished
viD# unknown
vii°D minor

Degree-by-Degree Analysis

The I chord (D# augmented) is the tonic — the gravitational center of the key. The ii chord (F augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (G major) functions as a substitute for the I or vi. The IV chord (A unknown) is the subdominant — it adds motion and moderate tension. The V chord (B diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (D# unknown) is the relative minor — it brings emotional color and depth. The vii° chord (D minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D# leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D# leading whole tone scale on guitar.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore D# leading whole tone Further