F leading whole tone chords

All guitar chords for the F leading whole tone scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

F leading whole tone scale diatonic chords

IF aug
EADGBExx4231
6frEADGBE11x32x8frEADGBEx1x34210frEADGBE11432x
IIG aug
EADGBE321x
3frEADGBE1x423x4frEADGBE11xx2x8frEADGBE11x32x
IIIA major
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
IVB unknown
B - E♭ - F
VC♯ dim
EADGBEx41x23
4frEADGBEx1243x7frEADGBE31x42x11frEADGBExx12x3
VIF unknown
E♭ - F - A
VIIE minor
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx

F leading whole tone scale seventh chords

IF major seventh flat sixth
F - A - C♯ - E
IIG unknown
G - B - E♭ - F
IIIA 7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
IVB unknown
B - E♭ - F - A
VC♯ m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
VIC♯ unknown
E♭ - F - A - C♯
VIIE mmaj7
EADGBE21
EADGBE113424frEADGBE11x42x7frEADGBE111423

scale

Fretboard diagram

F leading whole tone scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the F leading whole tone scale on 6-string guitar with 22 frets. Notes: E, F, G, A, B, C#, D#.EFGABC#D#EFGABC#BC#D#EFGABC#D#EFGAGABC#D#EFGABC#D#EFD#EFGABC#D#EFGABABC#D#EFGABC#D#EFGEFGABC#D#EFGABC#1357911121315171921

F leading whole tone scale — chords and intervals

The harmonized F leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from F leading whole tone are F augmented, G augmented, A major, B unknown, C# diminished, F unknown, E minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The F leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: F augmented, G augmented, A major, B unknown, C# diminished, F unknown, E minor.

DegreesChord
IF augmented
iiG augmented
iiiA major
IVB unknown
VC# diminished
viF unknown
vii°E minor

Degree-by-Degree Analysis

The I chord (F augmented) is the tonic — the gravitational center of the key. The ii chord (G augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (A major) functions as a substitute for the I or vi. The IV chord (B unknown) is the subdominant — it adds motion and moderate tension. The V chord (C# diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F unknown) is the relative minor — it brings emotional color and depth. The vii° chord (E minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the F leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F leading whole tone scale on guitar.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore F leading whole tone Further