E leading whole tone chords

All guitar chords for the E leading whole tone scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

E leading whole tone scale diatonic chords

IE aug
EADGBE4312
5frEADGBE11x32x7frEADGBEx3211x9frEADGBE11432
IIF♯ aug
EADGBExx4231
EADGBE11xx2x7frEADGBE11x32x11frEADGBE11432x
IIIA♭ major
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
IVB♭ unknown
A♯ - D - E
VC dim
EADGBEx41x23
3frEADGBEx1243x6frEADGBE31x42x10frEADGBExx12x3
VIE unknown
D - E - G♯
VIIE♭ minor
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134

E leading whole tone scale seventh chords

IE major seventh flat sixth
E - G♯ - C - D♯
IIF♯ unknown
F♯ - A♯ - D - E
IIIA♭ 7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
IVB♭ unknown
A♯ - D - E - G♯
VC m7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
VIC unknown
D - E - G♯ - C
VIIE♭ mmaj7
EADGBExx1342
3frEADGBEx4312x6frEADGBE11x42311frEADGBE111132

scale

Fretboard diagram

E leading whole tone scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the E leading whole tone scale on 6-string guitar with 22 frets. Notes: E, F#, G#, A#, C, D, D#.EF#G#A#CDD#EF#G#A#CDCDD#EF#G#A#CDD#EF#G#G#A#CDD#EF#G#A#CDD#EDD#EF#G#A#CDD#EF#G#A#CA#CDD#EF#G#A#CDD#EF#EF#G#A#CDD#EF#G#A#CD1357911121315171921

E leading whole tone scale — chords and intervals

The harmonized E leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from E leading whole tone are E augmented, F# augmented, G# major, A# unknown, C diminished, E unknown, D# minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The E leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: E augmented, F# augmented, G# major, A# unknown, C diminished, E unknown, D# minor.

DegreesChord
IE augmented
iiF# augmented
iiiG# major
IVA# unknown
VC diminished
viE unknown
vii°D# minor

Degree-by-Degree Analysis

The I chord (E augmented) is the tonic — the gravitational center of the key. The ii chord (F# augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (G# major) functions as a substitute for the I or vi. The IV chord (A# unknown) is the subdominant — it adds motion and moderate tension. The V chord (C diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (E unknown) is the relative minor — it brings emotional color and depth. The vii° chord (D# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the E leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the E leading whole tone scale on guitar.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore E leading whole tone Further