C leading whole tone chords

All guitar chords for the C leading whole tone scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

C leading whole tone scale diatonic chords

IC aug
EADGBE11x32x
3frEADGBEx1423x5frEADGBE11432x8frEADGBExx4231
IID aug
EADGBExx231
3frEADGBE11x32x7frEADGBE11432x10frEADGBE1x423x
IIIE major
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
IVF♯ unknown
F♯ - B♭ - C
VA♭ dim
EADGBE31x42x
6frEADGBExx12x39frEADGBEx41x2311frEADGBEx1243x
VIC unknown
B♭ - C - E
VIIB minor
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241

C leading whole tone scale seventh chords

IC major seventh flat sixth
C - E - G♯ - B
IID unknown
D - F♯ - B♭ - C
IIIE 7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
IVF♯ unknown
F♯ - B♭ - C - E
VA♭ m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
VIC unknown
B♭ - C - E - G♯
VIIB mmaj7
EADGBEx132
EADGBE1114237frEADGBE1111329frEADGBE11x342

scale

Fretboard diagram

C leading whole tone scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the C leading whole tone scale on 6-string guitar with 22 frets. Notes: E, F#, G#, A#, B, C, D.EF#G#A#BCDEF#G#A#BCDBCDEF#G#A#BCDEF#G#G#A#BCDEF#G#A#BCDEDEF#G#A#BCDEF#G#A#BCA#BCDEF#G#A#BCDEF#EF#G#A#BCDEF#G#A#BCD1357911121315171921

C leading whole tone scale — chords and intervals

The harmonized C leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from C leading whole tone are C augmented, D augmented, E major, F# unknown, G# diminished, C unknown, B minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The C leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: C augmented, D augmented, E major, F# unknown, G# diminished, C unknown, B minor.

DegreesChord
IC augmented
iiD augmented
iiiE major
IVF# unknown
VG# diminished
viC unknown
vii°B minor

Degree-by-Degree Analysis

The I chord (C augmented) is the tonic — the gravitational center of the key. The ii chord (D augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (E major) functions as a substitute for the I or vi. The IV chord (F# unknown) is the subdominant — it adds motion and moderate tension. The V chord (G# diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (C unknown) is the relative minor — it brings emotional color and depth. The vii° chord (B minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C leading whole tone scale on guitar.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore C leading whole tone Further