G leading whole tone chords

All guitar chords for the G leading whole tone scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

G leading whole tone scale diatonic chords

IG aug
EADGBE321x
3frEADGBE1x423x4frEADGBE11xx2x8frEADGBE11x32x
IIA aug
EADGBEx4231
2frEADGBE11432x5frEADGBE11x42310frEADGBE11x32x
IIIB major
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
IVC♯ unknown
C♯ - F - G
VE♭ dim
EADGBExx12x3
4frEADGBEx41x236frEADGBEx1243x9frEADGBE31x42x
VIG unknown
F - G - B
VIIF♯ minor
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342

G leading whole tone scale seventh chords

IG major seventh flat sixth
G - B - D♯ - F♯
IIA unknown
A - C♯ - F - G
IIIB 7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
IVC♯ unknown
C♯ - F - G - B
VE♭ m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
VIE♭ unknown
F - G - B - D♯
VIIF♯ mmaj7
EADGBE111132
4frEADGBE11x3426frEADGBE11x42x9frEADGBE111423

scale

Fretboard diagram

G leading whole tone scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the G leading whole tone scale on 6-string guitar with 22 frets. Notes: F, F#, G, A, B, C#, D#.FF#GABC#D#FF#GABC#BC#D#FF#GABC#D#FF#GAGABC#D#FF#GABC#D#FD#FF#GABC#D#FF#GABABC#D#FF#GABC#D#FF#GFF#GABC#D#FF#GABC#1357911121315171921

G leading whole tone scale — chords and intervals

The harmonized G leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from G leading whole tone are G augmented, A augmented, B major, C# unknown, D# diminished, G unknown, F# minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The G leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: G augmented, A augmented, B major, C# unknown, D# diminished, G unknown, F# minor.

DegreesChord
IG augmented
iiA augmented
iiiB major
IVC# unknown
VD# diminished
viG unknown
vii°F# minor

Degree-by-Degree Analysis

The I chord (G augmented) is the tonic — the gravitational center of the key. The ii chord (A augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (B major) functions as a substitute for the I or vi. The IV chord (C# unknown) is the subdominant — it adds motion and moderate tension. The V chord (D# diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G unknown) is the relative minor — it brings emotional color and depth. The vii° chord (F# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the G leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the G leading whole tone scale on guitar.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore G leading whole tone Further