D leading whole tone chords

All guitar chords for the D leading whole tone scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

D leading whole tone scale diatonic chords

ID aug
EADGBExx231
3frEADGBE11x32x7frEADGBE11432x10frEADGBE1x423x
IIE aug
EADGBE4312
5frEADGBE11x32x7frEADGBEx3211x9frEADGBE11432
IIIF♯ major
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
IVA♭ unknown
G♯ - C - D
VB♭ dim
EADGBEx1243x
4frEADGBE31x42x8frEADGBExx12x311frEADGBEx41x23
VID unknown
C - D - F♯
VIIC♯ minor
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134

D leading whole tone scale seventh chords

ID major seventh flat sixth
D - F♯ - A♯ - C♯
IIE unknown
E - G♯ - C - D
IIIF♯ 7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
IVA♭ unknown
G♯ - C - D - F♯
VB♭ m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
VID unknown
C - D - F♯ - A♯
VIIC♯ mmaj7
EADGBE11x42x
4frEADGBE1114239frEADGBE11113211frEADGBE11x342

scale

Fretboard diagram

D leading whole tone scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the D leading whole tone scale on 6-string guitar with 22 frets. Notes: E, F#, G#, A#, C, C#, D.EF#G#A#CC#DEF#G#A#CC#DCC#DEF#G#A#CC#DEF#G#G#A#CC#DEF#G#A#CC#DEDEF#G#A#CC#DEF#G#A#CA#CC#DEF#G#A#CC#DEF#EF#G#A#CC#DEF#G#A#CC#D1357911121315171921

D leading whole tone scale — chords and intervals

The harmonized D leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from D leading whole tone are D augmented, E augmented, F# major, G# unknown, A# diminished, D unknown, C# minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The D leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: D augmented, E augmented, F# major, G# unknown, A# diminished, D unknown, C# minor.

DegreesChord
ID augmented
iiE augmented
iiiF# major
IVG# unknown
VA# diminished
viD unknown
vii°C# minor

Degree-by-Degree Analysis

The I chord (D augmented) is the tonic — the gravitational center of the key. The ii chord (E augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (F# major) functions as a substitute for the I or vi. The IV chord (G# unknown) is the subdominant — it adds motion and moderate tension. The V chord (A# diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (D unknown) is the relative minor — it brings emotional color and depth. The vii° chord (C# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the D leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the D leading whole tone scale on guitar.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore D leading whole tone Further