C# leading whole tone chords

All guitar chords for the C# leading whole tone scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

C♯ leading whole tone scale diatonic chords

IC♯ aug
EADGBE11x234
4frEADGBE1111346frEADGBE11432x9frEADGBE11x423
IIE♭ aug
3frEADGBExx4231
4frEADGBE11x32x8frEADGBE11432x11frEADGBE1x423x
IIIF major
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
IVG unknown
G - B - C♯
VA dim
EADGBEx132x
3frEADGBE31x42x7frEADGBExx12x310frEADGBEx41x23
VIC♯ unknown
B - C♯ - F
VIIC minor
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134

C♯ leading whole tone scale seventh chords

IC♯ major seventh flat sixth
C♯ - F - A - C
IIE♭ unknown
D♯ - G - B - C♯
IIIF 7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
IVG unknown
G - B - C♯ - F
VA m7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
VIC♯ unknown
B - C♯ - F - A
VIIC mmaj7
EADGBEx31x
3frEADGBE1114238frEADGBE11113210frEADGBExx1342

scale

Fretboard diagram

C# leading whole tone scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the C# leading whole tone scale on 6-string guitar with 22 frets. Notes: F, G, A, B, C, C#, D#.FGABCC#D#FGABCC#BCC#D#FGABCC#D#FGAGABCC#D#FGABCC#D#FD#FGABCC#D#FGABCABCC#D#FGABCC#D#FGFGABCC#D#FGABCC#1357911121315171921

C# leading whole tone scale — chords and intervals

The harmonized C# leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from C# leading whole tone are C# augmented, D# augmented, F major, G unknown, A diminished, C# unknown, C minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The C# leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: C# augmented, D# augmented, F major, G unknown, A diminished, C# unknown, C minor.

DegreesChord
IC# augmented
iiD# augmented
iiiF major
IVG unknown
VA diminished
viC# unknown
vii°C minor

Degree-by-Degree Analysis

The I chord (C# augmented) is the tonic — the gravitational center of the key. The ii chord (D# augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (F major) functions as a substitute for the I or vi. The IV chord (G unknown) is the subdominant — it adds motion and moderate tension. The V chord (A diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (C# unknown) is the relative minor — it brings emotional color and depth. The vii° chord (C minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the C# leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the C# leading whole tone scale on guitar.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore C# leading whole tone Further