A# leading whole tone chords

All guitar chords for the A# leading whole tone scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A♯ leading whole tone scale diatonic chords

IB♭ aug
EADGBEx1423x
3frEADGBE11432x6frEADGBExx42317frEADGBE11xx2x
IIC aug
EADGBE11x32x
3frEADGBEx1423x5frEADGBE11432x8frEADGBExx4231
IIID major
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
IVE unknown
E - G♯ - A♯
VE♯# dim
E♯# - A - C
VIB♭ unknown
G♯ - A♯ - D
VIIA minor
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342

A♯ leading whole tone scale seventh chords

IB♭ major seventh flat sixth
A♯ - D - E♯# - A
IIC unknown
C - E - G♯ - A♯
IIID 7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
IVE unknown
E - G♯ - A♯ - D
VE♯# m7♭5
E♯# - A - C - E
VIE♯# unknown
G♯ - A♯ - D - E♯#
VIIA mmaj7
EADGBEx312
5frEADGBE1111327frEADGBE11x3429frEADGBE11x42x

scale

Fretboard diagram

A# leading whole tone scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the A# leading whole tone scale on 6-string guitar with 22 frets. Notes: E, F#, G#, A, A#, C, D.EF#G#AA#CDEF#G#AA#CDCDEF#G#AA#CDEF#G#AG#AA#CDEF#G#AA#CDEDEF#G#AA#CDEF#G#AA#CAA#CDEF#G#AA#CDEF#EF#G#AA#CDEF#G#AA#CD1357911121315171921

A# leading whole tone scale — chords and intervals

The harmonized A# leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from A# leading whole tone are A# augmented, C augmented, D major, E unknown, E## diminished, A# unknown, A minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The A# leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: A# augmented, C augmented, D major, E unknown, E## diminished, A# unknown, A minor.

DegreesChord
IA# augmented
iiC augmented
iiiD major
IVE unknown
VE## diminished
viA# unknown
vii°A minor

Degree-by-Degree Analysis

The I chord (A# augmented) is the tonic — the gravitational center of the key. The ii chord (C augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (D major) functions as a substitute for the I or vi. The IV chord (E unknown) is the subdominant — it adds motion and moderate tension. The V chord (E## diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (A# unknown) is the relative minor — it brings emotional color and depth. The vii° chord (A minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A# leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A# leading whole tone scale on guitar.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore A# leading whole tone Further