A leading whole tone chords

All guitar chords for the A leading whole tone scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A leading whole tone scale diatonic chords

IA aug
EADGBEx4231
2frEADGBE11432x5frEADGBE11x42310frEADGBE11x32x
IIB aug
EADGBEx21x
3frEADGBExx42317frEADGBE1x423x12frEADGBE11x32
IIIC♯ major
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
IVE♭ unknown
D♯ - G - A
VF dim
EADGBExx12x3
6frEADGBEx41x238frEADGBEx1243x11frEADGBE31x42x
VIA unknown
G - A - C♯
VIIA♭ minor
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342

A leading whole tone scale seventh chords

IA major seventh flat sixth
A - C♯ - F - G♯
IIB unknown
B - D♯ - G - A
IIIC♯ 7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
IVE♭ unknown
D♯ - G - A - C♯
VF m7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
VIF unknown
G - A - C♯ - F
VIIA♭ mmaj7
EADGBE11x243
4frEADGBE1111326frEADGBE11x34211frEADGBE11x423

scale

Fretboard diagram

A leading whole tone scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the A leading whole tone scale on 6-string guitar with 22 frets. Notes: F, G, G#, A, B, C#, D#.FGG#ABC#D#FGG#ABC#BC#D#FGG#ABC#D#FGG#AGG#ABC#D#FGG#ABC#D#FD#FGG#ABC#D#FGG#ABABC#D#FGG#ABC#D#FGFGG#ABC#D#FGG#ABC#1357911121315171921

A leading whole tone scale — chords and intervals

The harmonized A leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from A leading whole tone are A augmented, B augmented, C# major, D# unknown, F diminished, A unknown, G# minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The A leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: A augmented, B augmented, C# major, D# unknown, F diminished, A unknown, G# minor.

DegreesChord
IA augmented
iiB augmented
iiiC# major
IVD# unknown
VF diminished
viA unknown
vii°G# minor

Degree-by-Degree Analysis

The I chord (A augmented) is the tonic — the gravitational center of the key. The ii chord (B augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (C# major) functions as a substitute for the I or vi. The IV chord (D# unknown) is the subdominant — it adds motion and moderate tension. The V chord (F diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (A unknown) is the relative minor — it brings emotional color and depth. The vii° chord (G# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A leading whole tone scale on guitar.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore A leading whole tone Further