B leading whole tone chords

All guitar chords for the B leading whole tone scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

B leading whole tone scale diatonic chords

IB aug
EADGBEx21x
3frEADGBExx42317frEADGBE1x423x12frEADGBE11x32
IIC♯ aug
EADGBE11x234
4frEADGBE1111346frEADGBE11432x9frEADGBE11x423
IIIE♭ major
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
IVF unknown
F - A - B
VG dim
EADGBE31x42x
5frEADGBExx12x38frEADGBEx12x3210frEADGBEx1243x
VIB unknown
A - B - D♯
VIIB♭ minor
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342

B leading whole tone scale seventh chords

IB major seventh flat sixth
B - D♯ - G - A♯
IIC♯ unknown
C♯ - F - A - B
IIIE♭ 7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
IVF unknown
F - A - B - D♯
VG m7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
VIG unknown
A - B - D♯ - G
VIIB♭ mmaj7
EADGBE11x423
6frEADGBE1111328frEADGBE11x34210frEADGBE11x42x

scale

Fretboard diagram

B leading whole tone scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the B leading whole tone scale on 6-string guitar with 22 frets. Notes: F, G, A, A#, B, C#, D#.FGAA#BC#D#FGAA#BC#BC#D#FGAA#BC#D#FGAGAA#BC#D#FGAA#BC#D#FD#FGAA#BC#D#FGAA#BAA#BC#D#FGAA#BC#D#FGFGAA#BC#D#FGAA#BC#1357911121315171921

B leading whole tone scale — chords and intervals

The harmonized B leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from B leading whole tone are B augmented, C# augmented, D# major, F unknown, G diminished, B unknown, A# minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The B leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: B augmented, C# augmented, D# major, F unknown, G diminished, B unknown, A# minor.

DegreesChord
IB augmented
iiC# augmented
iiiD# major
IVF unknown
VG diminished
viB unknown
vii°A# minor

Degree-by-Degree Analysis

The I chord (B augmented) is the tonic — the gravitational center of the key. The ii chord (C# augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (D# major) functions as a substitute for the I or vi. The IV chord (F unknown) is the subdominant — it adds motion and moderate tension. The V chord (G diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (B unknown) is the relative minor — it brings emotional color and depth. The vii° chord (A# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B leading whole tone scale on guitar.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore B leading whole tone Further