Do Re MiC D E

On Green Dolphin Street

Bronisław Kaper / Ned Washington(1947)2/2ballad

Chord Diagrams — On Green Dolphin Street in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
D♯/C
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D/C
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
G♯aug7
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Baug7
2frEADGBEx213
EADGBEx2134
7frEADGBE1x234x
9frEADGBExx1423
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
E
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
Adim/A
EADGBEx132x
3frEADGBE31x42x
7frEADGBExx12x3
10frEADGBEx41x23
D♯7♭9
EADGBExx24
5frEADGBE11x234
6frEADGBE11x34
9frEADGBE3241xx
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
E7/G
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
C♯/G
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
D♯m7/G
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114

Explore More

On Green Dolphin Street in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to D# (ascending whole step), D# to D (descending half step), D to D# (ascending half step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to F (ascending half step), F to A# (ascending perfect fourth), A# to A (descending half step), A to D# (ascending tritone), D# to D# (ascending unison), D# to E (ascending half step), E to C# (descending minor third), C# to D# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to C# by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: C♯, C♯m7, D♯/C, D/C, D♯m7, G♯aug7, G♯7, F♯m7, Baug7, B7, E, F7, A♯m, Adim/A, D♯7♭9, D♯7, E7/G, C♯/G, D♯m7/G.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#