On Green Dolphin Street in C#

Bronisław Kaper / Ned Washington(1947)swing
Do Re MiC D E
A
D♯/C♯
D/C♯
G♯aug7
Baug7
D♯/C♯
D/C♯
Adim/A♯
C♯/G♯
E7/G♯
D♯m7/G♯
G♯aug7

Chord Diagrams — On Green Dolphin Street in C# (Guitar)

Display
FingerNoteDegree
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
D♯/C♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
D/C♯
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
G♯aug7
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Baug7
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Adim/A♯
EADGBEx132x
3frEADGBE31x42x7frEADGBExx12x310frEADGBEx41x23
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
C♯/G♯
4frEADGBE111234
EADGBE11x4326frEADGBE1113249frEADGBE111342
E7/G♯
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
D♯m7/G♯
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114

On Green Dolphin Street in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to D# (ascending whole step), D# to D (descending half step), D to D# (ascending half step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to F (ascending half step), F to A (ascending major third), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to C# (descending whole step), C# to E (ascending minor third), E to D# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to C# by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: A

Chords: C♯, C♯m7, D♯/C♯, D/C♯, D♯m7, G♯7, G♯aug7, F♯m7, B7, Baug7, E, F7, Adim/A♯, A♯m, D♯7, D♯7♭9, C♯/G♯, E7/G♯, D♯m7/G♯.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#