On Green Dolphin Street in A#

Bronisław Kaper / Ned Washington(1947)swing
Do Re MiC D E
A
C/A♯
B/A♯
Faug7
G♯aug7
C/A♯
B/A♯
F♯dim/G
A♯/F
C♯7/F
Cm7/F
Faug7

Chord Diagrams — On Green Dolphin Street in A# (Guitar)

Display
FingerNoteDegree
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
C/A♯
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
B/A♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Faug7
EADGBE1234x
3frEADGBExx14238frEADGBE11x43212frEADGBE213x4x
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
G♯aug7
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
F♯dim/G
EADGBE2x31x
4frEADGBExx12x37frEADGBEx41x239frEADGBEx1243x
Gm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
A♯/F
8frEADGBE11x243
EADGBE11x2343frEADGBE11143x6frEADGBE111342
C♯7/F
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Cm7/F
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113

On Green Dolphin Street in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to C (ascending whole step), C to B (descending half step), B to C (ascending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to F# (ascending major third), F# to G (ascending half step), G to C (ascending perfect fourth), C to C (ascending unison), C to A# (descending whole step), A# to C# (ascending minor third), C# to C (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: A

Chords: A♯, A♯m7, C/A♯, B/A♯, Cm7, F7, Faug7, D♯m7, G♯7, G♯aug7, C♯, D7, F♯dim/G, Gm, C7, C7♭9, A♯/F, C♯7/F, Cm7/F.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#