Do Re MiC D E

On Green Dolphin Street

Bronisław Kaper / Ned Washington(1947)2/2ballad
C/C
B/C
Faug7
G♯aug7
C/C
B/C
F♯dim/A
C♯7/G
A♯/G
Faug7
Cm7/G

Chord Diagrams — On Green Dolphin Street in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
C/C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
B/C
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
Faug7
EADGBE1234x
3frEADGBExx1423
8frEADGBE11x432
12frEADGBE213x4x
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
G♯aug7
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Gm
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
F♯dim/A
7frEADGBEx41x23
EADGBE2x31x
4frEADGBExx12x3
9frEADGBEx1243x
C7♭9
6frEADGBE3241xx
EADGBE11x234
8frEADGBE111x23
9frEADGBExx3142
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
C♯7/G
9frEADGBE111132
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
A♯/G
8frEADGBE11x243
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
Cm7/G
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314

Explore More

On Green Dolphin Street in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to C (ascending whole step), C to B (descending half step), B to C (ascending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to G (ascending perfect fourth), G to F# (descending half step), F# to C (ascending tritone), C to C (ascending unison), C to C# (ascending half step), C# to A# (descending minor third), A# to C (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: A♯, A♯m7, C/C, B/C, Cm7, Faug7, F7, D♯m7, G♯aug7, G♯7, C♯, D7, Gm, F♯dim/A, C7♭9, C7, C♯7/G, A♯/G, Cm7/G.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#