Do Re MiC D E

On Green Dolphin Street

Bronisław Kaper / Ned Washington(1947)2/2ballad
A/C
G♯/C
Daug7
Faug7
A/C
G♯/C
D♯dim/A
A♯7/G
G/G
Daug7
Am7/G

Chord Diagrams — On Green Dolphin Street in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
A/C
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
G♯/C
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Daug7
EADGBExx412
4frEADGBEx213x4
5frEADGBE11x432
10frEADGBE1x234x
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
Faug7
EADGBE1234x
3frEADGBExx1423
8frEADGBE11x432
12frEADGBE213x4x
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
B7
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
7frEADGBE111132
Em
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
D♯dim/A
EADGBExx12x3
4frEADGBEx41x23
6frEADGBEx1243x
9frEADGBE31x42x
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
A♯7/G
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
G/G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
Am7/G
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423

Explore More

On Green Dolphin Street in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to G (ascending unison), G to A (ascending whole step), A to G# (descending half step), G# to A (ascending half step), A to D (ascending perfect fourth), D to D (ascending unison), D to C (descending whole step), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to B (ascending half step), B to E (ascending perfect fourth), E to D# (descending half step), D# to A (ascending tritone), A to A (ascending unison), A to A# (ascending half step), A# to G (descending minor third), G to A (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to G by whole step.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: G, Gm7, A/C, G♯/C, Am7, Daug7, D7, Cm7, Faug7, F7, A♯, B7, Em, D♯dim/A, A7♭9, A7, A♯7/G, G/G, Am7/G.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G