On Green Dolphin Street in G

Bronisław Kaper / Ned Washington(1947)swing
Do Re MiC D E
A
A/G
G♯/G
Daug7
Faug7
A/G
G♯/G
D♯dim/E
G/D
A♯7/D
Am7/D
Daug7

Chord Diagrams — On Green Dolphin Street in G (Guitar)

Display
FingerNoteDegree
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
A/G
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
G♯/G
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Daug7
EADGBExx412
4frEADGBEx213x45frEADGBE11x43210frEADGBE1x234x
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Faug7
EADGBE1234x
3frEADGBExx14238frEADGBE11x43212frEADGBE213x4x
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
D♯dim/E
EADGBExx12x3
4frEADGBEx41x236frEADGBEx1243x9frEADGBE31x42x
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
A7♭9
EADGBE11x23
5frEADGBE1114236frEADGBE11xx2311frEADGBE11x234
G/D
5frEADGBE11x243
EADGBE2133frEADGBE1113427frEADGBE111432
A♯7/D
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Am7/D
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423

On Green Dolphin Street in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to G (ascending unison), G to A (ascending whole step), A to G# (descending half step), G# to A (ascending half step), A to D (ascending perfect fourth), D to D (ascending unison), D to C (descending whole step), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to B (ascending half step), B to D# (ascending major third), D# to E (ascending half step), E to A (ascending perfect fourth), A to A (ascending unison), A to G (descending whole step), G to A# (ascending minor third), A# to A (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to G by whole step.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: A

Chords: G, Gm7, A/G, G♯/G, Am7, D7, Daug7, Cm7, F7, Faug7, A♯, B7, D♯dim/E, Em, A7, A7♭9, G/D, A♯7/D, Am7/D.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G