Do Re MiC D E

On Green Dolphin Street

Bronisław Kaper / Ned Washington(1947)2/2ballad
B/C
A♯/C
Eaug7
Gaug7
B/C
A♯/C
Fdim/A
C7/G
A/G
Eaug7
Bm7/G

Chord Diagrams — On Green Dolphin Street in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
B/C
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A♯/C
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Eaug7
2frEADGBExx1423
EADGBE412
7frEADGBE11x432
12frEADGBE1x234x
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
Gaug7
EADGBE4312
EADGBE1x234x
5frEADGBExx1423
10frEADGBE11x432
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F♯m
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
Fdim/A
EADGBExx12x3
6frEADGBEx41x23
8frEADGBEx1243x
11frEADGBE31x42x
B7♭9
EADGBE11x234
5frEADGBE3241xx
7frEADGBE111x23
8frEADGBE11xx23
B7
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
7frEADGBE111132
C7/G
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
A/G
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
Bm7/G
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423

Explore More

On Green Dolphin Street in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to B (ascending whole step), B to A# (descending half step), A# to B (ascending half step), B to E (ascending perfect fourth), E to E (ascending unison), E to D (descending whole step), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to F (descending half step), F to B (ascending tritone), B to B (ascending unison), B to C (ascending half step), C to A (descending minor third), A to B (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: A, Am7, B/C, A♯/C, Bm7, Eaug7, E7, Dm7, Gaug7, G7, C, C♯7, F♯m, Fdim/A, B7♭9, B7, C7/G, A/G, Bm7/G.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A