Do Re MiC D E

On Green Dolphin Street

Bronisław Kaper / Ned Washington(1947)2/2ballad

Chord Diagrams — On Green Dolphin Street in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
G♯/C
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G/C
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯aug7
4frEADGBE11x432
EADGBEx4321
7frEADGBE431x2
9frEADGBE1x234x
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Eaug7
2frEADGBExx1423
EADGBE412
7frEADGBE11x432
12frEADGBE1x234x
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
A
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯m
EADGBExx1342
EADGBExx3241
6frEADGBE111342
11frEADGBE111134
Ddim/A
3frEADGBEx41x23
EADGBExx1x2
5frEADGBEx1243x
8frEADGBE31x42x
G♯7♭9
4frEADGBE11xx23
EADGBE111x2
5frEADGBE11xx23
10frEADGBE11x234
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
A7/G
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
F♯/G
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
G♯m7/G
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132

Explore More

On Green Dolphin Street in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to G# (ascending whole step), G# to G (descending half step), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to B (descending whole step), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G# (ascending tritone), G# to G# (ascending unison), G# to A (ascending half step), A to F# (descending minor third), F# to G# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to F# by whole step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: F♯, F♯m7, G♯/C, G/C, G♯m7, C♯aug7, C♯7, Bm7, Eaug7, E7, A, A♯7, D♯m, Ddim/A, G♯7♭9, G♯7, A7/G, F♯/G, G♯m7/G.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#