On Green Dolphin Street in F#

Bronisław Kaper / Ned Washington(1947)swing
Do Re MiC D E
A
G♯/F♯
G/F♯
C♯aug7
Eaug7
G♯/F♯
G/F♯
Ddim/D♯
F♯/C♯
A7/C♯
G♯m7/C♯
C♯aug7

Chord Diagrams — On Green Dolphin Street in F# (Guitar)

Display
FingerNoteDegree
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
G♯/F♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
G/F♯
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
C♯aug7
EADGBEx4321
4frEADGBE11x4327frEADGBE431x29frEADGBE1x234x
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Eaug7
EADGBE412
2frEADGBExx14237frEADGBE11x43212frEADGBE1x234x
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Ddim/D♯
EADGBExx1x2
3frEADGBEx41x235frEADGBEx1243x8frEADGBE31x42x
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
F♯/C♯
4frEADGBE11x243
EADGBE1113426frEADGBE1114329frEADGBE111234
A7/C♯
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
G♯m7/C♯
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132

On Green Dolphin Street in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to G# (ascending whole step), G# to G (descending half step), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to B (descending whole step), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to A# (ascending half step), A# to D (ascending major third), D to D# (ascending half step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F# (descending whole step), F# to A (ascending minor third), A to G# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to F# by whole step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: A

Chords: F♯, F♯m7, G♯/F♯, G/F♯, G♯m7, C♯7, C♯aug7, Bm7, E7, Eaug7, A, A♯7, Ddim/D♯, D♯m, G♯7, G♯7♭9, F♯/C♯, A7/C♯, G♯m7/C♯.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#