On Green Dolphin Street in B

Bronisław Kaper / Ned Washington(1947)swing
Do Re MiC D E
A
C♯/B
C/B
F♯aug7
Aaug7
C♯/B
C/B
Gdim/G♯
B/F♯
D7/F♯
C♯m7/F♯
F♯aug7

Chord Diagrams — On Green Dolphin Street in B (Guitar)

Display
FingerNoteDegree
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
C♯/B
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
C/B
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
F♯aug7
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Aaug7
EADGBEx321
EADGBE11x235frEADGBE11x237frEADGBExx1423
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
Gdim/G♯
EADGBE31x42x
5frEADGBExx12x38frEADGBEx12x3210frEADGBEx1243x
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
B/F♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
D7/F♯
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
C♯m7/F♯
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423

On Green Dolphin Street in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to C# (ascending whole step), C# to C (descending half step), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D# (ascending half step), D# to G (ascending major third), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to B (descending whole step), B to D (ascending minor third), D to C# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to B by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: A

Chords: B, Bm7, C♯/B, C/B, C♯m7, F♯7, F♯aug7, Em7, A7, Aaug7, D, D♯7, Gdim/G♯, G♯m, C♯7, C♯7♭9, B/F♯, D7/F♯, C♯m7/F♯.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B