Do Re MiC D E

On Green Dolphin Street

Bronisław Kaper / Ned Washington(1947)2/2ballad
C♯/C
C/C
F♯aug7
Aaug7
C♯/C
C/C
Gdim/A
D7/G
B/G
F♯aug7
C♯m7/G

Chord Diagrams — On Green Dolphin Street in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
C♯/C
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
C/C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯aug7
4frEADGBExx1423
EADGBE1x234x
7frEADGBEx4312
9frEADGBE11x432
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Aaug7
EADGBE11x23
EADGBEx321
5frEADGBE11x23
7frEADGBExx1423
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
Gdim/A
5frEADGBExx12x3
EADGBE31x42x
8frEADGBEx12x32
10frEADGBEx1243x
C♯7♭9
4frEADGBEx1234
EADGBE11x234
7frEADGBE3241x
9frEADGBExx1324
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
D7/G
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
B/G
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C♯m7/G
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423

Explore More

On Green Dolphin Street in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to C# (ascending whole step), C# to C (descending half step), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D# (ascending half step), D# to G# (ascending perfect fourth), G# to G (descending half step), G to C# (ascending tritone), C# to C# (ascending unison), C# to D (ascending half step), D to B (descending minor third), B to C# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to B by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: B, Bm7, C♯/C, C/C, C♯m7, F♯aug7, F♯7, Em7, Aaug7, A7, D, D♯7, G♯m, Gdim/A, C♯7♭9, C♯7, D7/G, B/G, C♯m7/G.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B