On Green Dolphin Street in G#

Bronisław Kaper / Ned Washington(1947)swing
Do Re MiC D E
A
A♯/G♯
A/G♯
D♯aug7
F♯aug7
A♯/G♯
A/G♯
Edim/F
G♯/D♯
B7/D♯
A♯m7/D♯
D♯aug7

Chord Diagrams — On Green Dolphin Street in G# (Guitar)

Display
FingerNoteDegree
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
A♯/G♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
A/G♯
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
D♯aug7
EADGBExx1423
6frEADGBE11x4329frEADGBE324111frEADGBE1x234x
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
F♯aug7
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Edim/F
EADGBExx12x3
5frEADGBEx41x237frEADGBEx1243x10frEADGBE31x42x
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
G♯/D♯
6frEADGBE11x243
EADGBE11132x4frEADGBE1113428frEADGBE111432
B7/D♯
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
A♯m7/D♯
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423

On Green Dolphin Street in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to A# (ascending whole step), A# to A (descending half step), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to C (ascending half step), C to E (ascending major third), E to F (ascending half step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to G# (descending whole step), G# to B (ascending minor third), B to A# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to G# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: A

Chords: G♯, G♯m7, A♯/G♯, A/G♯, A♯m7, D♯7, D♯aug7, C♯m7, F♯7, F♯aug7, B, C7, Edim/F, Fm, A♯7, A♯7♭9, G♯/D♯, B7/D♯, A♯m7/D♯.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#