On Green Dolphin Street in F

Bronisław Kaper / Ned Washington(1947)swing
Do Re MiC D E
A
G/F
F♯/F
Caug7
D♯aug7
G/F
F♯/F
C♯dim/D
F/C
G♯7/C
Gm7/C
Caug7

Chord Diagrams — On Green Dolphin Street in F (Guitar)

Display
FingerNoteDegree
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
G/F
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
F♯/F
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Caug7
EADGBEx213x4
3frEADGBE11x4328frEADGBE1x23410frEADGBExx1423
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
D♯aug7
EADGBExx1423
6frEADGBE11x4329frEADGBE324111frEADGBE1x234x
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
C♯dim/D
EADGBEx41x23
4frEADGBEx1243x7frEADGBE31x42x11frEADGBExx12x3
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
G7♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234
F/C
3frEADGBE11x243
EADGBE1113425frEADGBE1114328frEADGBE111234
G♯7/C
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Gm7/C
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132

On Green Dolphin Street in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to F (ascending unison), F to G (ascending whole step), G to F# (descending half step), F# to G (ascending half step), G to C (ascending perfect fourth), C to C (ascending unison), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to C# (ascending major third), C# to D (ascending half step), D to G (ascending perfect fourth), G to G (ascending unison), G to F (descending whole step), F to G# (ascending minor third), G# to G (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to F by whole step.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: A

Chords: F, Fm7, G/F, F♯/F, Gm7, C7, Caug7, A♯m7, D♯7, D♯aug7, G♯, A7, C♯dim/D, Dm, G7, G7♭9, F/C, G♯7/C, Gm7/C.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F