Do Re MiC D E

On Green Dolphin Street

Bronisław Kaper / Ned Washington(1947)2/2ballad
G/C
F♯/C
Caug7
D♯aug7
G/C
F♯/C
C♯dim/A
G♯7/G
F/G
Caug7
Gm7/G

Chord Diagrams — On Green Dolphin Street in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
G/C
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
F♯/C
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Caug7
EADGBEx213x4
3frEADGBE11x432
8frEADGBE1x234
10frEADGBExx1423
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯aug7
EADGBExx1423
6frEADGBE11x432
9frEADGBE3241
11frEADGBE1x234x
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
C♯dim/A
EADGBEx41x23
4frEADGBEx1243x
7frEADGBE31x42x
11frEADGBExx12x3
G7♭9
EADGBE111x23
EADGBE11324
4frEADGBE11xx23
9frEADGBE11x234
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
G♯7/G
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
F/G
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
Gm7/G
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132

Explore More

On Green Dolphin Street in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to F (ascending unison), F to G (ascending whole step), G to F# (descending half step), F# to G (ascending half step), G to C (ascending perfect fourth), C to C (ascending unison), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to D (ascending perfect fourth), D to C# (descending half step), C# to G (ascending tritone), G to G (ascending unison), G to G# (ascending half step), G# to F (descending minor third), F to G (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to F by whole step.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: F, Fm7, G/C, F♯/C, Gm7, Caug7, C7, A♯m7, D♯aug7, D♯7, G♯, A7, Dm, C♯dim/A, G7♭9, G7, G♯7/G, F/G, Gm7/G.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F