Do Re MiC D E

On Green Dolphin Street

Bronisław Kaper / Ned Washington(1947)2/2ballad
D/C
C♯/C
Gaug7
A♯aug7
D/C
C♯/C
G♯dim/A
D♯7/G
C/G
Gaug7
Dm7/G

Chord Diagrams — On Green Dolphin Street in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
D/C
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
C♯/C
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Gaug7
5frEADGBExx1423
EADGBE4312
EADGBE1x234x
10frEADGBE11x432
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯aug7
EADGBE11x432
6frEADGBE1x234x
8frEADGBExx1423
12frEADGBEx213x4
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Am
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
G♯dim/A
EADGBE31x42x
6frEADGBExx12x3
9frEADGBEx41x23
11frEADGBEx1243x
D7♭9
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
D7
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
D♯7/G
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
C/G
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
Dm7/G
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113

Explore More

On Green Dolphin Street in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to D (ascending whole step), D to C# (descending half step), C# to D (ascending half step), D to G (ascending perfect fourth), G to G (ascending unison), G to F (descending whole step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to A (ascending perfect fourth), A to G# (descending half step), G# to D (ascending tritone), D to D (ascending unison), D to D# (ascending half step), D# to C (descending minor third), C to D (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to C by whole step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: C, Cm7, D/C, C♯/C, Dm7, Gaug7, G7, Fm7, A♯aug7, A♯7, D♯, E7, Am, G♯dim/A, D7♭9, D7, D♯7/G, C/G, Dm7/G.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C