On Green Dolphin Street in D#

Bronisław Kaper / Ned Washington(1947)swing
Do Re MiC D E
A
F/D♯
E/D♯
A♯aug7
C♯aug7
F/D♯
E/D♯
Bdim/C
D♯/A♯
F♯7/A♯
Fm7/A♯
A♯aug7

Chord Diagrams — On Green Dolphin Street in D# (Guitar)

Display
FingerNoteDegree
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
F/D♯
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
E/D♯
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
A♯aug7
EADGBE11x432
6frEADGBE1x234x8frEADGBExx142312frEADGBEx213x4
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
C♯aug7
EADGBEx4321
4frEADGBE11x4327frEADGBE431x29frEADGBE1x234x
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Bdim/C
EADGBEx3x2
EADGBEx1243x5frEADGBE31x42x9frEADGBExx12x3
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
F7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
D♯/A♯
8frEADGBE111xx4
EADGBExx12433frEADGBE11x4326frEADGBE11x234
F♯7/A♯
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Fm7/A♯
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314

On Green Dolphin Street in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D# (ascending unison), D# to F (ascending whole step), F to E (descending half step), E to F (ascending half step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to B (ascending major third), B to C (ascending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to D# (descending whole step), D# to F# (ascending minor third), F# to F (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to D# by whole step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: A

Chords: D♯, D♯m7, F/D♯, E/D♯, Fm7, A♯7, A♯aug7, G♯m7, C♯7, C♯aug7, F♯, G7, Bdim/C, Cm, F7, F7♭9, D♯/A♯, F♯7/A♯, Fm7/A♯.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#