Do Re MiC D E

On Green Dolphin Street

Bronisław Kaper / Ned Washington(1947)2/2ballad

Chord Diagrams — On Green Dolphin Street in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
F/C
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
E/C
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
A♯aug7
EADGBE11x432
6frEADGBE1x234x
8frEADGBExx1423
12frEADGBEx213x4
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯aug7
4frEADGBE11x432
EADGBEx4321
7frEADGBE431x2
9frEADGBE1x234x
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
Cm
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
Bdim/A
5frEADGBE31x42x
EADGBEx3x2
EADGBEx1243x
9frEADGBExx12x3
F7♭9
7frEADGBE11x234
EADGBE111423
EADGBE11xx23
11frEADGBE3241xx
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
F♯7/G
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
D♯/G
8frEADGBE111xx4
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
Fm7/G
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314

Explore More

On Green Dolphin Street in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D# (ascending unison), D# to F (ascending whole step), F to E (descending half step), E to F (ascending half step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to C (ascending perfect fourth), C to B (descending half step), B to F (ascending tritone), F to F (ascending unison), F to F# (ascending half step), F# to D# (descending minor third), D# to F (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to D# by whole step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: D♯, D♯m7, F/C, E/C, Fm7, A♯aug7, A♯7, G♯m7, C♯aug7, C♯7, F♯, G7, Cm, Bdim/A, F7♭9, F7, F♯7/G, D♯/G, Fm7/G.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#