Do Re MiC D E

On Green Dolphin Street

Bronisław Kaper / Ned Washington(1947)2/2ballad
F♯/C
F/C
Baug7
Daug7
F♯/C
F/C
Cdim/A
G7/G
E/G
Baug7
F♯m7/G

Chord Diagrams — On Green Dolphin Street in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
F♯/C
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
F/C
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Baug7
EADGBEx2134
2frEADGBEx213
7frEADGBE1x234x
9frEADGBExx1423
B7
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
7frEADGBE111132
Am7
EADGBEx21
EADGBEx2314
5frEADGBE111113
7frEADGBE11x423
Daug7
EADGBExx412
4frEADGBEx213x4
5frEADGBE11x432
10frEADGBE1x234x
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
C♯m
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134
Cdim/A
EADGBEx41x23
3frEADGBEx1243x
6frEADGBE31x42x
10frEADGBExx12x3
F♯7♭9
EADGBE2134
3frEADGBE11xx23
8frEADGBE11x234
12frEADGBE3241xx
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
G7/G
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
E/G
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
F♯m7/G
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314

Explore More

On Green Dolphin Street in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to F# (ascending whole step), F# to F (descending half step), F to F# (ascending half step), F# to B (ascending perfect fourth), B to B (ascending unison), B to A (descending whole step), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to C (descending half step), C to F# (ascending tritone), F# to F# (ascending unison), F# to G (ascending half step), G to E (descending minor third), E to F# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: E, Em7, F♯/C, F/C, F♯m7, Baug7, B7, Am7, Daug7, D7, G, G♯7, C♯m, Cdim/A, F♯7♭9, F♯7, G7/G, E/G, F♯m7/G.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E