On Green Dolphin Street in E

Bronisław Kaper / Ned Washington(1947)swing
Do Re MiC D E
A
F♯/E
F/E
Baug7
Daug7
F♯/E
F/E
Cdim/C♯
E/B
G7/B
F♯m7/B
Baug7

Chord Diagrams — On Green Dolphin Street in E (Guitar)

Display
FingerNoteDegree
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
F♯/E
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
F/E
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Baug7
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Daug7
EADGBExx412
4frEADGBEx213x45frEADGBE11x43210frEADGBE1x234x
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Cdim/C♯
EADGBEx41x23
3frEADGBEx1243x6frEADGBE31x42x10frEADGBExx12x3
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
F♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx
E/B
7frEADGBE111234
EADGBE2312frEADGBExx12434frEADGBE111432
G7/B
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
F♯m7/B
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314

On Green Dolphin Street in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to F# (ascending whole step), F# to F (descending half step), F to F# (ascending half step), F# to B (ascending perfect fourth), B to B (ascending unison), B to A (descending whole step), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to G# (ascending half step), G# to C (ascending major third), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step), E to G (ascending minor third), G to F# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: A

Chords: E, Em7, F♯/E, F/E, F♯m7, B7, Baug7, Am7, D7, Daug7, G, G♯7, Cdim/C♯, C♯m, F♯7, F♯7♭9, E/B, G7/B, F♯m7/B.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E