Do Re MiC D E

Leaving

Beirach Richie4/4even-8ths
Cmaj7♯11
Em♭6
%
D♯maj7♯5
Em♭6
%
F7sus4
Dmaj7/A
D♯maj7♯11
G♯maj7♯11
B/B♭

Chord Diagrams — Leaving in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cmaj7♯11
3frEADGBE11x234
EADGBEx4231
7frEADGBE111123
8frEADGBE111234
B7♭9
5frEADGBE3241xx
EADGBE11x234
7frEADGBE111x23
8frEADGBE11xx23
Em♭6
D♯maj7♯5
5frEADGBEx213x4
3frEADGBE111432
6frEADGBEx1423x
11frEADGBE11x234
D7♭9
5frEADGBE11x24
2frEADGBExx431
4frEADGBE11x234
8frEADGBE3241xx
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
F7sus4
6frEADGBE111234
EADGBE111134
8frEADGBE111134
10frEADGBE11xx34
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
Dmaj7/A
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
F7♯11
7frEADGBE11x234
EADGBE123
3frEADGBExx1234
8frEADGBE111x23
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
AmMaj7
5frEADGBE111132
EADGBEx312
7frEADGBE11x342
9frEADGBE11x42x
D♯maj7♯11
3frEADGBE11x423
EADGBEx314x
6frEADGBE11x234
10frEADGBE111123
G♯maj7♯11
4frEADGBE111234
EADGBE111123
8frEADGBE11x423
11frEADGBE11x234
B/B♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
B7alt
EADGBEx1234x
6frEADGBExx4312
7frEADGBE1243x
9frEADGBExx123

Explore More

Leaving in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to B (descending half step), B to E (ascending perfect fourth), E to D# (descending half step), D# to D (descending half step), D to A (descending perfect fourth), A to F (descending major third), F to G (ascending whole step), G to D (descending perfect fourth), D to F (ascending minor third), F to E (descending half step), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to C by half step.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 16 bars · Form: A

Chords: Cmaj7♯11, B7♭9, Em♭6, D♯maj7♯5, D7♭9, Am7, F7sus4, Gmaj7, Dmaj7/A, F7♯11, E7♭9, AmMaj7, D♯maj7♯11, G♯maj7♯11, B/B♭, B7alt.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G