Do Re MiC D E

Leaving

Beirach Richie4/4even-8ths
D♯maj7♯11
Gm♭6
%
F♯maj7♯5
Gm♭6
%
G♯7sus4
Fmaj7/A
F♯maj7♯11
Bmaj7♯11
D/B♭

Chord Diagrams — Leaving in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯maj7♯11
3frEADGBE11x423
EADGBEx314x
6frEADGBE11x234
10frEADGBE111123
D7♭9
4frEADGBE11x234
2frEADGBExx431
5frEADGBE11x24
8frEADGBE3241xx
Gm♭6
F♯maj7♯5
EADGBE1x234x
6frEADGBE111432
9frEADGBEx1423x
11frEADGBE11xx24
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
G♯7sus4
EADGBE1122xx
4frEADGBE111134
9frEADGBE11x234
11frEADGBE111134
A♯maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
Fmaj7/A
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
G♯7♯11
3frEADGBE2x341x
6frEADGBExx1234
10frEADGBE11x234
11frEADGBE111x23
G7♭9
EADGBE111x23
EADGBE11324
4frEADGBE11xx23
9frEADGBE11x234
CmMaj7
3frEADGBE111423
EADGBEx31x
8frEADGBE111132
10frEADGBExx1342
F♯maj7♯11
4frEADGBE11x234
EADGBE111123
6frEADGBE11x423
9frEADGBE11x234
Bmaj7♯11
6frEADGBE111123
EADGBE11x234
7frEADGBE111234
11frEADGBE11x423
D/B♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D7alt
5frEADGBEx1234x
EADGBExx132
3frEADGBEx42x13
9frEADGBEx3412

Explore More

Leaving in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D (descending half step), D to G (ascending perfect fourth), G to F# (descending half step), F# to F (descending half step), F to C (descending perfect fourth), C to G# (descending major third), G# to A# (ascending whole step), A# to F (descending perfect fourth), F to G# (ascending minor third), G# to G (descending half step), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to D (ascending minor third), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to D# by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 16 bars · Form: A

Chords: D♯maj7♯11, D7♭9, Gm♭6, F♯maj7♯5, F7♭9, Cm7, G♯7sus4, A♯maj7, Fmaj7/A, G♯7♯11, G7♭9, CmMaj7, F♯maj7♯11, Bmaj7♯11, D/B♭, D7alt.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#