Do Re MiC D E

Leaving

Beirach Richie4/4even-8ths
Fmaj7♯11
Am♭6
%
G♯maj7♯5
Am♭6
%
A♯7sus4
Gmaj7/A
G♯maj7♯11
C♯maj7♯11
E/B♭

Chord Diagrams — Leaving in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fmaj7♯11
5frEADGBE11x423
EADGBE12
EADGBExx213
8frEADGBE11x234
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
Am♭6
G♯maj7♯5
3frEADGBE2134
EADGBE4321
8frEADGBE111432
11frEADGBEx1423x
G7♭9
4frEADGBE11xx23
EADGBE11324
EADGBE111x23
9frEADGBE11x234
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
A♯7sus4
6frEADGBE111134
EADGBE111x34
EADGBE1122xx
8frEADGBExx1324
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Gmaj7/A
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
A♯7♯11
5frEADGBE11123x
EADGBEx123
8frEADGBExx1234
12frEADGBE11x234
A7♭9
5frEADGBE111423
EADGBE11x23
6frEADGBE11xx23
11frEADGBE11x234
DmMaj7
5frEADGBE111423
EADGBExx231
2frEADGBE11x42
10frEADGBE111132
G♯maj7♯11
4frEADGBE111234
EADGBE111123
8frEADGBE11x423
11frEADGBE11x234
C♯maj7♯11
4frEADGBE11x234
EADGBEx42311
8frEADGBE111123
9frEADGBE111234
E/B♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
E7alt
5frEADGBE42x13
EADGBE132xx
2frEADGBExx1243
7frEADGBE1234

Explore More

Leaving in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F to E (descending half step), E to A (ascending perfect fourth), A to G# (descending half step), G# to G (descending half step), G to D (descending perfect fourth), D to A# (descending major third), A# to C (ascending whole step), C to G (descending perfect fourth), G to A# (ascending minor third), A# to A (descending half step), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to F by half step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 16 bars · Form: A

Chords: Fmaj7♯11, E7♭9, Am♭6, G♯maj7♯5, G7♭9, Dm7, A♯7sus4, Cmaj7, Gmaj7/A, A♯7♯11, A7♭9, DmMaj7, G♯maj7♯11, C♯maj7♯11, E/B♭, E7alt.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C