Do Re MiC D E

Leaving

Beirach Richie4/4even-8ths
C♯maj7♯11
Fm♭6
%
Emaj7♯5
Fm♭6
%
F♯7sus4
D♯maj7/A
Emaj7♯11
Amaj7♯11
C/B♭

Chord Diagrams — Leaving in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯maj7♯11
4frEADGBE11x234
EADGBEx42311
8frEADGBE111123
9frEADGBE111234
C7♭9
6frEADGBE3241xx
EADGBE11x234
8frEADGBE111x23
9frEADGBExx3142
Fm♭6
Emaj7♯5
7frEADGBEx1423x
EADGBE44321
4frEADGBE111432
9frEADGBE11324
D♯7♭9
6frEADGBE11x34
EADGBExx24
5frEADGBE11x234
9frEADGBE3241xx
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
D♯maj7/A
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
F♯7♯11
4frEADGBExx1234
EADGBE111234
8frEADGBE11x234
9frEADGBE111x23
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
A♯mMaj7
EADGBE11x423
6frEADGBE111132
8frEADGBE11x342
10frEADGBE11x42x
Emaj7♯11
EADGBE11234
4frEADGBE11x423
7frEADGBE11x234
11frEADGBE111123
Amaj7♯11
EADGBEx2134
4frEADGBE111123
6frEADGBE11x34
9frEADGBE11x423
C/B♭
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C7alt
2frEADGBE11x234
3frEADGBEx1234
7frEADGBExx4312
10frEADGBExx1243

Explore More

Leaving in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C (descending half step), C to F (ascending perfect fourth), F to E (descending half step), E to D# (descending half step), D# to A# (descending perfect fourth), A# to F# (descending major third), F# to G# (ascending whole step), G# to D# (descending perfect fourth), D# to F# (ascending minor third), F# to F (descending half step), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to A (ascending perfect fourth), A to C (ascending minor third), C to C (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to C# by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 16 bars · Form: A

Chords: C♯maj7♯11, C7♭9, Fm♭6, Emaj7♯5, D♯7♭9, A♯m7, F♯7sus4, G♯maj7, D♯maj7/A, F♯7♯11, F7♭9, A♯mMaj7, Emaj7♯11, Amaj7♯11, C/B♭, C7alt.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#