Do Re MiC D E

Leaving

Beirach Richie4/4even-8ths
Gmaj7♯11
Bm♭6
%
A♯maj7♯5
Bm♭6
%
C7sus4
Amaj7/A
A♯maj7♯11
D♯maj7♯11
F♯/B♭

Chord Diagrams — Leaving in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gmaj7♯11
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
F♯7♭9
3frEADGBE11xx23
EADGBE2134
8frEADGBE11x234
12frEADGBE3241xx
Bm♭6
A♯maj7♯5
3frEADGBE11xx24
EADGBEx1243
6frEADGBE1x234x
10frEADGBE111432
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
C7sus4
EADGBE11x234
3frEADGBE111134
5frEADGBE11xx23
8frEADGBE111134
Dmaj7
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
Amaj7/A
EADGBEx213
EADGBE111x4
5frEADGBE111423
7frEADGBE333x1
C7♯11
EADGBE11x234
3frEADGBE111x23
7frEADGBE111234
10frEADGBExx1234
B7♭9
EADGBE11x234
5frEADGBE3241xx
7frEADGBE111x23
8frEADGBE11xx23
EmMaj7
EADGBE21
EADGBE11342
4frEADGBE11x42x
7frEADGBE111423
A♯maj7♯11
EADGBE11x234
5frEADGBE111123
6frEADGBE111234
10frEADGBE11x423
D♯maj7♯11
EADGBEx314x
3frEADGBE11x423
6frEADGBE11x234
10frEADGBE111123
F♯/B♭
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
F♯7alt
EADGBE11243x
EADGBExx4312
4frEADGBExx1243
9frEADGBE11x234

Explore More

Leaving in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to F# (descending half step), F# to B (ascending perfect fourth), B to A# (descending half step), A# to A (descending half step), A to E (descending perfect fourth), E to C (descending major third), C to D (ascending whole step), D to A (descending perfect fourth), A to C (ascending minor third), C to B (descending half step), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to F# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to G by half step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 16 bars · Form: A

Chords: Gmaj7♯11, F♯7♭9, Bm♭6, A♯maj7♯5, A7♭9, Em7, C7sus4, Dmaj7, Amaj7/A, C7♯11, B7♭9, EmMaj7, A♯maj7♯11, D♯maj7♯11, F♯/B♭, F♯7alt.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D