Do Re MiC D E

Leaving

Beirach Richie4/4even-8ths
Dmaj7♯11
F♯m♭6
%
Fmaj7♯5
F♯m♭6
%
G7sus4
Emaj7/A
Fmaj7♯11
A♯maj7♯11
C♯/B♭

Chord Diagrams — Leaving in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dmaj7♯11
5frEADGBE11x234
EADGBE11xx3
2frEADGBEx4231
9frEADGBE111123
C♯7♭9
4frEADGBEx1234
EADGBE11x234
7frEADGBE3241x
9frEADGBExx1324
F♯m♭6
Fmaj7♯5
5frEADGBE111432
EADGBE1234
8frEADGBEx1423x
12frEADGBExx4231
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
G7sus4
8frEADGBE11x234
EADGBE1123
3frEADGBE111134
10frEADGBE111134
Amaj7
7frEADGBE333x1
EADGBEx213
EADGBE111x4
5frEADGBE111423
Emaj7/A
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
G7♯11
9frEADGBE11x234
EADGBE111234
5frEADGBExx1234
10frEADGBE111x23
F♯7♭9
8frEADGBE11x234
EADGBE2134
3frEADGBE11xx23
12frEADGBE3241xx
BmMaj7
7frEADGBE111132
EADGBEx132
EADGBE111423
9frEADGBE11x342
Fmaj7♯11
5frEADGBE11x423
EADGBE12
EADGBExx213
8frEADGBE11x234
A♯maj7♯11
6frEADGBE111234
EADGBE11x234
5frEADGBE111123
10frEADGBE11x423
C♯/B♭
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
C♯7alt
4frEADGBEx1234x
EADGBEx4321
3frEADGBEx2341
8frEADGBExx4312

Explore More

Leaving in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to C# (descending half step), C# to F# (ascending perfect fourth), F# to F (descending half step), F to E (descending half step), E to B (descending perfect fourth), B to G (descending major third), G to A (ascending whole step), A to E (descending perfect fourth), E to G (ascending minor third), G to F# (descending half step), F# to B (ascending perfect fourth), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to D by half step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 16 bars · Form: A

Chords: Dmaj7♯11, C♯7♭9, F♯m♭6, Fmaj7♯5, E7♭9, Bm7, G7sus4, Amaj7, Emaj7/A, G7♯11, F♯7♭9, BmMaj7, Fmaj7♯11, A♯maj7♯11, C♯/B♭, C♯7alt.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A