Do Re MiC D E

Leaving

Beirach Richie4/4even-8ths
F♯maj7♯11
A♯m♭6
%
Amaj7♯5
A♯m♭6
%
B7sus4
G♯maj7/A
Amaj7♯11
Dmaj7♯11
F/B♭

Chord Diagrams — Leaving in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯maj7♯11
4frEADGBE11x234
EADGBE111123
6frEADGBE11x423
9frEADGBE11x234
F7♭9
7frEADGBE11x234
EADGBE111423
EADGBE11xx23
11frEADGBE3241xx
A♯m♭6
Amaj7♯5
5frEADGBEx2341
EADGBE11x32
EADGBE11x23
9frEADGBE432
G♯7♭9
5frEADGBE11xx23
EADGBE111x2
4frEADGBE11xx23
10frEADGBE11x234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
B7sus4
7frEADGBE111134
EADGBEx123
2frEADGBE111134
4frEADGBE1122xx
C♯maj7
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
G♯maj7/A
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
B7♯11
6frEADGBE2x341x
EADGBE11x234
EADGBE111x23
9frEADGBExx1234
A♯7♭9
6frEADGBE111x23
EADGBEx123
4frEADGBE3241xx
12frEADGBE11x234
D♯mMaj7
6frEADGBE11x423
EADGBExx1342
3frEADGBEx4312x
11frEADGBE111132
Amaj7♯11
6frEADGBE11x34
EADGBEx2134
4frEADGBE111123
9frEADGBE11x423
Dmaj7♯11
5frEADGBE11x234
EADGBE11xx3
2frEADGBEx4231
9frEADGBE111123
F/B♭
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
F7alt
3frEADGBExx123
EADGBE1243x
8frEADGBEx1234x
12frEADGBE112x43

Explore More

Leaving in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F (descending half step), F to A# (ascending perfect fourth), A# to A (descending half step), A to G# (descending half step), G# to D# (descending perfect fourth), D# to B (descending major third), B to C# (ascending whole step), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to D (ascending perfect fourth), D to F (ascending minor third), F to F (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to F# by half step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 16 bars · Form: A

Chords: F♯maj7♯11, F7♭9, A♯m♭6, Amaj7♯5, G♯7♭9, D♯m7, B7sus4, C♯maj7, G♯maj7/A, B7♯11, A♯7♭9, D♯mMaj7, Amaj7♯11, Dmaj7♯11, F/B♭, F7alt.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#