Do Re MiC D E

Leaving

Beirach Richie4/4even-8ths
Bmaj7♯11
D♯m♭6
%
Dmaj7♯5
D♯m♭6
%
E7sus4
C♯maj7/A
Dmaj7♯11
Gmaj7♯11
A♯/B♭

Chord Diagrams — Leaving in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bmaj7♯11
6frEADGBE111123
EADGBE11x234
7frEADGBE111234
11frEADGBE11x423
A♯7♭9
6frEADGBE111x23
EADGBEx123
4frEADGBE3241xx
12frEADGBE11x234
D♯m♭6
Dmaj7♯5
5frEADGBEx1243
EADGBExx423
2frEADGBE111432
9frEADGBExx231
C♯7♭9
4frEADGBEx1234
EADGBE11x234
7frEADGBE3241x
9frEADGBExx1324
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
F♯maj7
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324
C♯maj7/A
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
E7♯11
6frEADGBE11x234
EADGBE12
3frEADGBE3142
11frEADGBE111234
D♯7♭9
6frEADGBE11x34
EADGBExx24
5frEADGBE11x234
9frEADGBE3241xx
G♯mMaj7
6frEADGBE11x342
EADGBE11x243
4frEADGBE111132
11frEADGBE11x423
Dmaj7♯11
5frEADGBE11x234
EADGBE11xx3
2frEADGBEx4231
9frEADGBE111123
Gmaj7♯11
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
A♯/B♭
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
A♯7alt
EADGBEx1234
5frEADGBE2341
6frEADGBE134x2
8frEADGBExx1243

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Leaving in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through B to A# (descending half step), A# to D# (ascending perfect fourth), D# to D (descending half step), D to C# (descending half step), C# to G# (descending perfect fourth), G# to E (descending major third), E to F# (ascending whole step), F# to C# (descending perfect fourth), C# to E (ascending minor third), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to A# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to B by half step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 16 bars · Form: A

Chords: Bmaj7♯11, A♯7♭9, D♯m♭6, Dmaj7♯5, C♯7♭9, G♯m7, E7sus4, F♯maj7, C♯maj7/A, E7♯11, D♯7♭9, G♯mMaj7, Dmaj7♯11, Gmaj7♯11, A♯/B♭, A♯7alt.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#