Do Re MiC D E

Leaving

Beirach Richie4/4even-8ths
Amaj7♯11
C♯m♭6
%
Cmaj7♯5
C♯m♭6
%
D7sus4
Bmaj7/A
Cmaj7♯11
Fmaj7♯11
G♯/B♭

Chord Diagrams — Leaving in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Amaj7♯11
4frEADGBE111123
EADGBEx2134
6frEADGBE11x34
9frEADGBE11x423
G♯7♭9
4frEADGBE11xx23
EADGBE111x2
5frEADGBE11xx23
10frEADGBE11x234
C♯m♭6
Cmaj7♯5
3frEADGBEx1423
EADGBEx321
5frEADGBE4321
8frEADGBE1432
B7♭9
5frEADGBE3241xx
EADGBE11x234
7frEADGBE111x23
8frEADGBE11xx23
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
D7sus4
3frEADGBEx2341x
EADGBExx214
5frEADGBE111134
10frEADGBE111134
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
Bmaj7/A
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
D7♯11
4frEADGBE11x234
EADGBExx123
7frEADGBEx3142
9frEADGBE111234
C♯7♭9
4frEADGBEx1234
EADGBE11x234
7frEADGBE3241x
9frEADGBExx1324
F♯mMaj7
4frEADGBE11x342
EADGBE111132
6frEADGBE11x42x
9frEADGBE111423
Cmaj7♯11
3frEADGBE11x234
EADGBEx4231
7frEADGBE111123
8frEADGBE111234
Fmaj7♯11
EADGBExx213
EADGBE12
5frEADGBE11x423
8frEADGBE11x234
G♯/B♭
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
G♯7alt
3frEADGBExx4312
6frEADGBExx1243
10frEADGBE1144x2
11frEADGBEx1234x

Explore More

Leaving in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G# (descending half step), G# to C# (ascending perfect fourth), C# to C (descending half step), C to B (descending half step), B to F# (descending perfect fourth), F# to D (descending major third), D to E (ascending whole step), E to B (descending perfect fourth), B to D (ascending minor third), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to G# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to A by half step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 16 bars · Form: A

Chords: Amaj7♯11, G♯7♭9, C♯m♭6, Cmaj7♯5, B7♭9, F♯m7, D7sus4, Emaj7, Bmaj7/A, D7♯11, C♯7♭9, F♯mMaj7, Cmaj7♯11, Fmaj7♯11, G♯/B♭, G♯7alt.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E