Do Re MiC D E

Leaving

Beirach Richie4/4even-8ths
Emaj7♯11
G♯m♭6
%
Gmaj7♯5
G♯m♭6
%
A7sus4
F♯maj7/A
Gmaj7♯11
Cmaj7♯11
D♯/B♭

Chord Diagrams — Leaving in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Emaj7♯11
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123
D♯7♭9
5frEADGBE11x234
EADGBExx24
6frEADGBE11x34
9frEADGBE3241xx
G♯m♭6
Gmaj7♯5
EADGBE1x234x
EADGBExx13
7frEADGBE111432
10frEADGBEx1423x
F♯7♭9
3frEADGBE11xx23
EADGBE2134
8frEADGBE11x234
12frEADGBE3241xx
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
A7sus4
5frEADGBE111134
EADGBEx23
7frEADGBEx1324
10frEADGBE11x234
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
F♯maj7/A
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
A7♯11
4frEADGBE111234
EADGBEx13
7frEADGBExx1234
11frEADGBE11x234
G♯7♭9
4frEADGBE11xx23
EADGBE111x2
5frEADGBE11xx23
10frEADGBE11x234
C♯mMaj7
4frEADGBE111423
EADGBE11x42x
9frEADGBE111132
11frEADGBE11x342
Gmaj7♯11
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
Cmaj7♯11
3frEADGBE11x234
EADGBEx4231
7frEADGBE111123
8frEADGBE111234
D♯/B♭
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D♯7alt
4frEADGBEx4213
EADGBExx1243
6frEADGBEx123x
10frEADGBE112x43

Explore More

Leaving in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to D# (descending half step), D# to G# (ascending perfect fourth), G# to G (descending half step), G to F# (descending half step), F# to C# (descending perfect fourth), C# to A (descending major third), A to B (ascending whole step), B to F# (descending perfect fourth), F# to A (ascending minor third), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to D# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to E by half step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 16 bars · Form: A

Chords: Emaj7♯11, D♯7♭9, G♯m♭6, Gmaj7♯5, F♯7♭9, C♯m7, A7sus4, Bmaj7, F♯maj7/A, A7♯11, G♯7♭9, C♯mMaj7, Gmaj7♯11, Cmaj7♯11, D♯/B♭, D♯7alt.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B