Do Re MiC D E

Midnight Train To Georgia

Gladys Knight and The Pips (Jim Weatherly)4/4soul♩= 92
D/C
C/B♭
C/A♭
D/C
C/B♭
C/A♭
C/B♭
C/B♭
C/B♭
C/A♭
%
C/B♭
C/B♭
C/B♭
C/A♭
C/A♭
C/E♭
C/A♭
C/E♭
C/A♭
Em7/E♭
C/A♭
%
C/E♭
D7sus4
D7sus4
D/C
C/B♭
C/A♭
C/B♭
C/B♭
C/B♭
C/A♭
%
C/B♭
C/B♭
C/B♭
C/A♭
%
C/E♭
C/A♭
C/E♭
C/A♭
Em7/E♭
C/A♭
%
C/E♭
D7sus4
D7sus4
D/C
C/B♭
C/A♭
C/E♭
C/A♭
C/E♭
C/A♭
Em7/E♭
C/A♭
%
C/E♭
D7sus4
D7sus4
D/C
C/B♭
C/A♭
D/C
C/B♭
C/A♭
C/E♭
C/A♭
D/C
C/B♭
C/A♭
C/E♭
C/A♭

Chord Diagrams — Midnight Train To Georgia in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
D/C
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
C/B♭
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C/A♭
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Dsus4
EADGBExx123
3frEADGBEx314
5frEADGBE111234
10frEADGBE111234
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
A9
EADGBE11x32
2frEADGBE431
5frEADGBE111324
11frEADGBEx21333
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
C/E♭
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
Em7/E♭
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
D7sus4
EADGBExx214
3frEADGBEx2341x
5frEADGBE111134
10frEADGBE111134
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342

Explore More

Midnight Train To Georgia in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to D (descending perfect fourth), D to C (descending whole step), C to C (ascending unison), C to B (descending half step), B to D (ascending minor third), D to D (ascending unison), D to A (descending perfect fourth), A to B (ascending whole step), B to C (ascending half step), C to E (ascending major third), E to E (ascending unison), E to D (descending whole step), D to C (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to G by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 92 bars · Form: AABCB

Chords: G, D/C, C/B♭, C/A♭, Bm7, Dsus4, D, A9, Bm, C/E♭, Em7, Em7/E♭, D7sus4, C.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G