Do Re MiC D E

Midnight Train To Georgia

Gladys Knight and The Pips (Jim Weatherly)4/4soul♩= 92
G/C
F/B♭
F/A♭
G/C
F/B♭
F/A♭
F/B♭
F/B♭
F/B♭
F/A♭
%
F/B♭
F/B♭
F/B♭
F/A♭
F/A♭
F/E♭
F/A♭
F/E♭
F/A♭
Am7/E♭
F/A♭
%
F/E♭
G7sus4
G7sus4
G/C
F/B♭
F/A♭
F/B♭
F/B♭
F/B♭
F/A♭
%
F/B♭
F/B♭
F/B♭
F/A♭
%
F/E♭
F/A♭
F/E♭
F/A♭
Am7/E♭
F/A♭
%
F/E♭
G7sus4
G7sus4
G/C
F/B♭
F/A♭
F/E♭
F/A♭
F/E♭
F/A♭
Am7/E♭
F/A♭
%
F/E♭
G7sus4
G7sus4
G/C
F/B♭
F/A♭
G/C
F/B♭
F/A♭
F/E♭
F/A♭
G/C
F/B♭
F/A♭
F/E♭
F/A♭

Chord Diagrams — Midnight Train To Georgia in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
G/C
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
F/B♭
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
F/A♭
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
Gsus4
5frEADGBE1144x3
EADGBE2314
3frEADGBE111234
10frEADGBE111234
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
D9
7frEADGBEx1234
4frEADGBE221334
9frEADGBE11234x
10frEADGBE111324
Em
7frEADGBE111342
EADGBE23
2frEADGBE11342
9frEADGBE4312xx
F/E♭
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
Am7/E♭
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
G7sus4
8frEADGBE11x234
EADGBE1123
3frEADGBE111134
10frEADGBE111134
F
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432

Explore More

Midnight Train To Georgia in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to G (descending perfect fourth), G to F (descending whole step), F to F (ascending unison), F to E (descending half step), E to G (ascending minor third), G to G (ascending unison), G to D (descending perfect fourth), D to E (ascending whole step), E to F (ascending half step), F to A (ascending major third), A to A (ascending unison), A to G (descending whole step), G to F (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to C by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 92 bars · Form: AABCB

Chords: C, G/C, F/B♭, F/A♭, Em7, Gsus4, G, D9, Em, F/E♭, Am7, Am7/E♭, G7sus4, F.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C