Do Re MiC D E

Midnight Train To Georgia

Gladys Knight and The Pips (Jim Weatherly)4/4soul♩= 92
D♯/C
C♯/B♭
C♯/A♭
D♯/C
C♯/B♭
C♯/A♭
C♯/B♭
C♯/B♭
C♯/B♭
C♯/A♭
%
C♯/B♭
C♯/B♭
C♯/B♭
C♯/A♭
C♯/A♭
C♯/E♭
C♯/A♭
C♯/E♭
C♯/A♭
Fm7/E♭
C♯/A♭
%
C♯/E♭
D♯7sus4
D♯7sus4
D♯/C
C♯/B♭
C♯/A♭
C♯/B♭
C♯/B♭
C♯/B♭
C♯/A♭
%
C♯/B♭
C♯/B♭
C♯/B♭
C♯/A♭
%
C♯/E♭
C♯/A♭
C♯/E♭
C♯/A♭
Fm7/E♭
C♯/A♭
%
C♯/E♭
D♯7sus4
D♯7sus4
D♯/C
C♯/B♭
C♯/A♭
C♯/E♭
C♯/A♭
C♯/E♭
C♯/A♭
Fm7/E♭
C♯/A♭
%
C♯/E♭
D♯7sus4
D♯7sus4
D♯/C
C♯/B♭
C♯/A♭
D♯/C
C♯/B♭
C♯/A♭
C♯/E♭
C♯/A♭
D♯/C
C♯/B♭
C♯/A♭
C♯/E♭
C♯/A♭

Chord Diagrams — Midnight Train To Georgia in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
D♯/C
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
C♯/B♭
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
C♯/A♭
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
D♯sus4
EADGBExx1234
6frEADGBE111234
8frEADGBE11xx2x
11frEADGBE111234
D♯
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
A♯9
EADGBEx1234
5frEADGBE11234x
6frEADGBE111324
12frEADGBEx21333
Cm
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
C♯/E♭
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
Fm7/E♭
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
D♯7sus4
EADGBExx1324
4frEADGBE11x234
6frEADGBE111134
11frEADGBE111134
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342

Explore More

Midnight Train To Georgia in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to C# (ascending unison), C# to C (descending half step), C to D# (ascending minor third), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to C (ascending whole step), C to C# (ascending half step), C# to F (ascending major third), F to F (ascending unison), F to D# (descending whole step), D# to C# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 92 bars · Form: AABCB

Chords: G♯, D♯/C, C♯/B♭, C♯/A♭, Cm7, D♯sus4, D♯, A♯9, Cm, C♯/E♭, Fm7, Fm7/E♭, D♯7sus4, C♯.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#