Do Re MiC D E

Midnight Train To Georgia

Gladys Knight and The Pips (Jim Weatherly)4/4soul♩= 92
C♯/C
B/B♭
B/A♭
C♯/C
B/B♭
B/A♭
B/B♭
B/B♭
B/B♭
B/A♭
%
B/B♭
B/B♭
B/B♭
B/A♭
B/A♭
B/E♭
B/A♭
B/E♭
B/A♭
D♯m7/E♭
B/A♭
%
B/E♭
C♯7sus4
C♯7sus4
C♯/C
B/B♭
B/A♭
B/B♭
D♯m7/E♭
B/A♭
%
B/E♭
C♯7sus4
C♯7sus4
C♯/C
B/B♭
B/A♭
B/E♭
B/A♭
B/E♭
B/A♭
D♯m7/E♭
B/A♭
%
B/E♭
C♯7sus4
C♯7sus4
C♯/C
B/B♭
B/A♭
C♯/C
B/B♭
B/A♭
B/E♭
B/A♭
C♯/C
B/B♭
B/A♭
B/E♭
B/A♭

Chord Diagrams — Midnight Train To Georgia in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C♯/C
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
B/B♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
B/A♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
C♯sus4
6frEADGBE2x1114
EADGBEx3412x
4frEADGBE111234
9frEADGBE111234
C♯
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
G♯9
5frEADGBExx2143
EADGBE11234x
4frEADGBE111324
10frEADGBE221334
A♯m
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
B/E♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
D♯m7
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
D♯m7/E♭
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
C♯7sus4
6frEADGBExxx123
EADGBE11x234
4frEADGBE111134
9frEADGBE111134
B
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243

Explore More

Midnight Train To Georgia in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to B (descending whole step), B to B (ascending unison), B to A# (descending half step), A# to C# (ascending minor third), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to A# (ascending whole step), A# to B (ascending half step), B to D# (ascending major third), D# to D# (ascending unison), D# to C# (descending whole step), C# to B (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 92 bars · Form: AABCB

Chords: F♯, C♯/C, B/B♭, B/A♭, A♯m7, C♯sus4, C♯, G♯9, A♯m, B/E♭, D♯m7, D♯m7/E♭, C♯7sus4, B.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#