Do Re MiC D E

Midnight Train To Georgia

Gladys Knight and The Pips (Jim Weatherly)4/4soul♩= 92
B/C
A/B♭
A/A♭
B/C
A/B♭
A/A♭
A/B♭
A/B♭
A/B♭
A/A♭
%
A/B♭
A/B♭
A/B♭
A/A♭
A/A♭
A/E♭
A/A♭
A/E♭
A/A♭
C♯m7/E♭
A/A♭
%
A/E♭
B7sus4
B7sus4
B/C
A/B♭
A/A♭
A/B♭
A/B♭
A/B♭
A/A♭
%
A/B♭
A/B♭
A/B♭
A/A♭
%
A/E♭
A/A♭
A/E♭
A/A♭
C♯m7/E♭
A/A♭
%
A/E♭
B7sus4
B7sus4
B/C
A/B♭
A/A♭
A/E♭
A/A♭
A/E♭
A/A♭
C♯m7/E♭
A/A♭
%
A/E♭
B7sus4
B7sus4
B/C
A/B♭
A/A♭
B/C
A/B♭
A/A♭
A/E♭
A/A♭
B/C
A/B♭
A/A♭
A/E♭
A/A♭

Chord Diagrams — Midnight Train To Georgia in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
B/C
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A/B♭
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
A/A♭
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
Bsus4
7frEADGBE111234
2frEADGBE111234
4frEADGBE11xx24
9frEADGBE1144x3
B
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
F♯9
8frEADGBE221334
EADGBE111324
3frEADGBExx2143
11frEADGBE1111x2
G♯m
7frEADGBExx3241
4frEADGBE111134
6frEADGBExx1342
11frEADGBE111342
A/E♭
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
C♯m7/E♭
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
B7sus4
7frEADGBE111134
EADGBEx123
2frEADGBE111134
4frEADGBE1122xx
A
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342

Explore More

Midnight Train To Georgia in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to A (descending whole step), A to A (ascending unison), A to G# (descending half step), G# to B (ascending minor third), B to B (ascending unison), B to F# (descending perfect fourth), F# to G# (ascending whole step), G# to A (ascending half step), A to C# (ascending major third), C# to C# (ascending unison), C# to B (descending whole step), B to A (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 92 bars · Form: AABCB

Chords: E, B/C, A/B♭, A/A♭, G♯m7, Bsus4, B, F♯9, G♯m, A/E♭, C♯m7, C♯m7/E♭, B7sus4, A.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E