Do Re MiC D E

Midnight Train To Georgia

Gladys Knight and The Pips (Jim Weatherly)4/4soul♩= 92
G♯/C
F♯/B♭
F♯/A♭
G♯/C
F♯/B♭
F♯/A♭
F♯/B♭
F♯/B♭
F♯/B♭
F♯/A♭
%
F♯/B♭
F♯/B♭
F♯/B♭
F♯/A♭
F♯/A♭
F♯/E♭
F♯/A♭
F♯/E♭
F♯/A♭
A♯m7/E♭
F♯/A♭
%
F♯/E♭
G♯7sus4
G♯7sus4
G♯/C
F♯/B♭
F♯/A♭
F♯/B♭
F♯/B♭
F♯/B♭
F♯/A♭
%
F♯/B♭
F♯/B♭
F♯/B♭
F♯/A♭
%
F♯/E♭
F♯/A♭
F♯/E♭
F♯/A♭
A♯m7/E♭
F♯/A♭
%
F♯/E♭
G♯7sus4
G♯7sus4
G♯/C
F♯/B♭
F♯/A♭
F♯/E♭
F♯/A♭
F♯/E♭
F♯/A♭
A♯m7/E♭
F♯/A♭
%
F♯/E♭
G♯7sus4
G♯7sus4
G♯/C
F♯/B♭
F♯/A♭
G♯/C
F♯/B♭
F♯/A♭
F♯/E♭
F♯/A♭
G♯/C
F♯/B♭
F♯/A♭
F♯/E♭
F♯/A♭

Chord Diagrams — Midnight Train To Georgia in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G♯/C
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
F♯/B♭
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
F♯/A♭
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
G♯sus4
4frEADGBE111234
EADGBE11xx24
6frEADGBE11x234
11frEADGBE111234
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
D♯9
5frEADGBEx21334
EADGBExx132
10frEADGBE3142xx
11frEADGBE111324
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
F♯/E♭
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
A♯m7/E♭
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234

Explore More

Midnight Train To Georgia in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to F# (ascending unison), F# to F (descending half step), F to G# (ascending minor third), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to F (ascending whole step), F to F# (ascending half step), F# to A# (ascending major third), A# to A# (ascending unison), A# to G# (descending whole step), G# to F# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to C# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 92 bars · Form: AABCB

Chords: C♯, G♯/C, F♯/B♭, F♯/A♭, Fm7, G♯sus4, G♯, D♯9, Fm, F♯/E♭, A♯m7, A♯m7/E♭, G♯7sus4, F♯.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#