Do Re MiC D E

Midnight Train To Georgia

Gladys Knight and The Pips (Jim Weatherly)4/4soul♩= 92
E/C
D/B♭
D/A♭
E/C
D/B♭
D/A♭
D/B♭
D/B♭
D/B♭
D/A♭
%
D/B♭
D/B♭
D/B♭
D/A♭
D/A♭
D/E♭
D/A♭
D/E♭
D/A♭
F♯m7/E♭
D/A♭
%
D/E♭
E7sus4
E7sus4
E/C
D/B♭
D/A♭
D/B♭
D/B♭
D/B♭
D/A♭
%
D/B♭
D/B♭
D/B♭
D/A♭
%
D/E♭
D/A♭
D/E♭
D/A♭
F♯m7/E♭
D/A♭
%
D/E♭
E7sus4
E7sus4
E/C
D/B♭
D/A♭
D/E♭
D/A♭
D/E♭
D/A♭
F♯m7/E♭
D/A♭
%
D/E♭
E7sus4
E7sus4
E/C
D/B♭
D/A♭
E/C
D/B♭
D/A♭
D/E♭
D/A♭
E/C
D/B♭
D/A♭
D/E♭
D/A♭

Chord Diagrams — Midnight Train To Georgia in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
E/C
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
D/B♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D/A♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Esus4
7frEADGBE111234
EADGBE234
2frEADGBE11234
9frEADGBE11xx2
E
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
B9
7frEADGBE111324
EADGBEx21334
4frEADGBE111432
8frEADGBExx2143
C♯m
6frEADGBE1132x4
EADGBEx4213x
4frEADGBE111342
9frEADGBE111134
D/E♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
F♯m7/E♭
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342

Explore More

Midnight Train To Georgia in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to D (descending whole step), D to D (ascending unison), D to C# (descending half step), C# to E (ascending minor third), E to E (ascending unison), E to B (descending perfect fourth), B to C# (ascending whole step), C# to D (ascending half step), D to F# (ascending major third), F# to F# (ascending unison), F# to E (descending whole step), E to D (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 92 bars · Form: AABCB

Chords: A, E/C, D/B♭, D/A♭, C♯m7, Esus4, E, B9, C♯m, D/E♭, F♯m7, F♯m7/E♭, E7sus4, D.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A