Do Re MiC D E

Midnight Train To Georgia

Gladys Knight and The Pips (Jim Weatherly)4/4soul♩= 92
A/C
G/B♭
G/A♭
A/C
G/B♭
G/A♭
G/B♭
G/B♭
G/B♭
G/A♭
%
G/B♭
G/B♭
G/B♭
G/A♭
G/A♭
G/E♭
G/A♭
G/E♭
G/A♭
Bm7/E♭
G/A♭
%
G/E♭
A7sus4
A7sus4
A/C
G/B♭
G/A♭
G/B♭
G/B♭
G/B♭
G/A♭
%
G/B♭
G/B♭
G/B♭
G/A♭
%
G/E♭
G/A♭
G/E♭
G/A♭
Bm7/E♭
G/A♭
%
G/E♭
A7sus4
A7sus4
A/C
G/B♭
G/A♭
G/E♭
G/A♭
G/E♭
G/A♭
Bm7/E♭
G/A♭
%
G/E♭
A7sus4
A7sus4
A/C
G/B♭
G/A♭
A/C
G/B♭
G/A♭
G/E♭
G/A♭
A/C
G/B♭
G/A♭
G/E♭
G/A♭

Chord Diagrams — Midnight Train To Georgia in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
A/C
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
G/B♭
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
G/A♭
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Asus4
5frEADGBE111333
EADGBEx123
EADGBExx1
7frEADGBE11x234
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
E9
6frEADGBE221334
EADGBE213
EADGBE113x42
9frEADGBE11112
F♯m
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
G/E♭
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
Bm7/E♭
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
A7sus4
7frEADGBEx1324
EADGBEx23
5frEADGBE111134
10frEADGBE11x234
G
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243

Explore More

Midnight Train To Georgia in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to A (descending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to F# (descending half step), F# to A (ascending minor third), A to A (ascending unison), A to E (descending perfect fourth), E to F# (ascending whole step), F# to G (ascending half step), G to B (ascending major third), B to B (ascending unison), B to A (descending whole step), A to G (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to D by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 92 bars · Form: AABCB

Chords: D, A/C, G/B♭, G/A♭, F♯m7, Asus4, A, E9, F♯m, G/E♭, Bm7, Bm7/E♭, A7sus4, G.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D