Do Re MiC D E

Midnight Train To Georgia

Gladys Knight and The Pips (Jim Weatherly)4/4soul♩= 92
F♯/C
E/B♭
E/A♭
F♯/C
E/B♭
E/A♭
E/B♭
E/B♭
E/B♭
E/A♭
%
E/B♭
E/B♭
E/B♭
E/A♭
E/A♭
E/E♭
E/A♭
E/E♭
E/A♭
G♯m7/E♭
E/A♭
%
E/E♭
F♯7sus4
F♯7sus4
F♯/C
E/B♭
E/A♭
E/B♭
E/B♭
E/B♭
E/A♭
%
E/B♭
E/B♭
E/B♭
E/A♭
%
E/E♭
E/A♭
E/E♭
E/A♭
G♯m7/E♭
E/A♭
%
E/E♭
F♯7sus4
F♯7sus4
F♯/C
E/B♭
E/A♭
E/E♭
E/A♭
E/E♭
E/A♭
G♯m7/E♭
E/A♭
%
E/E♭
F♯7sus4
F♯7sus4
F♯/C
E/B♭
E/A♭
F♯/C
E/B♭
E/A♭
E/E♭
E/A♭
F♯/C
E/B♭
E/A♭
E/E♭
E/A♭

Chord Diagrams — Midnight Train To Georgia in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯/C
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
E/B♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
E/A♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
F♯sus4
4frEADGBE11x234
EADGBE111234
9frEADGBE111234
11frEADGBE11xx24
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C♯9
EADGBE221334
8frEADGBE3142xx
9frEADGBE111324
10frEADGBExx2143
D♯m
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
E/E♭
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
G♯m7/E♭
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234

Explore More

Midnight Train To Georgia in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to E (descending whole step), E to E (ascending unison), E to D# (descending half step), D# to F# (ascending minor third), F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to D# (ascending whole step), D# to E (ascending half step), E to G# (ascending major third), G# to G# (ascending unison), G# to F# (descending whole step), F# to E (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

soul4/4 · 92 bars · Form: AABCB

Chords: B, F♯/C, E/B♭, E/A♭, D♯m7, F♯sus4, F♯, C♯9, D♯m, E/E♭, G♯m7, G♯m7/E♭, F♯7sus4, E.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B