Do Re MiC D E

My Man's Gone Now

Gershwin George4/4waltz
G♯maj9/B
D13
D7♭9sus4
D7♯9♯5
G♯maj9♯11/B
D7♯9♯5
G♯maj9/B
D13
D7♭9sus4
D7♯9♯5
G♯maj9♯11/B
D7♯9♯5
C♯13
C♯7♯5
D13
D9♯5
E13
E9♯5
Cm9/B
D7♭9♯5
G♯maj7♯11/B
D7♯9♯5

Chord Diagrams — My Man's Gone Now in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
G♯maj9/B
4frEADGBE113224
EADGBE1111x4
3frEADGBE111243
10frEADGBE22143x
D13
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
G7♯9
4frEADGBE44x231
EADGBE3241
3frEADGBE114432
9frEADGBEx2134x
Cm9
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134
D7♭9sus4
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
D7♯9♯5
D - F♯ - A♯ - C - F
G♯maj9♯11/B
EADGBE111123
4frEADGBE111234
8frEADGBE11x423
11frEADGBE11x234
C♯13
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
9frEADGBE111234
C♯7♯5
EADGBEx4321
4frEADGBE11x432
7frEADGBE431x2
9frEADGBE1x234x
F♯maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
D9♯5
4frEADGBEx21334
5frEADGBEx3142
9frEADGBE11234x
10frEADGBE1x234
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
E9♯5
4frEADGBE11234
EADGBE3142
6frEADGBEx21334
9frEADGBE11123
Am9
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
Cm9/B
6frEADGBEx13244
EADGBEx21344
EADGBEx1243
8frEADGBE111134
D7♭9♯5
D - F♯ - A♯ - C - E♭
G♯maj7♯11/B
8frEADGBE11x423
EADGBE111123
4frEADGBE111234
11frEADGBE11x234

Explore More

My Man's Gone Now in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to G# (ascending half step), G# to D (ascending tritone), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to D (ascending whole step), D to D (ascending unison), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to D (descending major third), D to E (ascending whole step), E to E (ascending unison), E to A (ascending perfect fourth), A to C (ascending minor third), C to D (ascending whole step), D to G# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to G by half step.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 33 bars · Form: AB

Chords: Gm9, G♯maj9/B, D13, G7♯9, Cm9, D7♭9sus4, D7♯9♯5, G♯maj9♯11/B, C♯13, C♯7♯5, F♯maj7, D9♯5, E13, E9♯5, Am9, Cm9/B, D7♭9♯5, G♯maj7♯11/B.

Scales for Improvisation G bebop minor, G bebop.

Diatonic chords: See all chords in the key of G