Do Re MiC D E

My Man's Gone Now

Gershwin George4/4waltz
Dmaj9/B
G♯13
G♯7♭9sus4
G♯7♯9♯5
Dmaj9♯11/B
G♯7♯9♯5
Dmaj9/B
G♯13
G♯7♭9sus4
G♯7♯9♯5
Dmaj9♯11/B
G♯7♯9♯5
G13
G7♯5
G♯13
G♯9♯5
A♯13
A♯9♯5
F♯m9/B
G♯7♭9♯5
Dmaj7♯11/B
G♯7♯9♯5

Chord Diagrams — My Man's Gone Now in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯m9
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134
Dmaj9/B
4frEADGBEx2143x
2frEADGBE1111x4
7frEADGBEx2314
10frEADGBE11x234
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
C♯7♯9
3frEADGBEx2134x
EADGBEx3241
8frEADGBE2222x1
9frEADGBE111324
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
G♯7♭9sus4
EADGBE111x2
4frEADGBE11xx23
5frEADGBE11xx23
10frEADGBE11x234
G♯7♯9♯5
G♯ - C - E - F♯ - B
Dmaj9♯11/B
EADGBE11xx3
2frEADGBEx4231
5frEADGBE11x234
9frEADGBE111123
G13
EADGBE321
3frEADGBE11x234
3frEADGBE111324
9frEADGBEx21334
G7♯5
EADGBE4312
EADGBE1x234x
5frEADGBExx1423
10frEADGBE11x432
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
G♯9♯5
3frEADGBE11234
EADGBE111234
4frEADGBExx1234
10frEADGBEx2134
A♯13
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
A♯9♯5
5frEADGBE11234x
EADGBEx1234
EADGBE111234
6frEADGBE11x234
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
F♯m9/B
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
G♯7♭9♯5
G♯ - C - E - F♯ - A
Dmaj7♯11/B
EADGBE11xx3
2frEADGBEx4231
5frEADGBE11x234
9frEADGBE111123

Explore More

My Man's Gone Now in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to D (ascending half step), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to G# (ascending unison), G# to D (ascending tritone), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to G# (descending major third), G# to A# (ascending whole step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to G# (ascending whole step), G# to D (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to C# by half step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 33 bars · Form: AB

Chords: C♯m9, Dmaj9/B, G♯13, C♯7♯9, F♯m9, G♯7♭9sus4, G♯7♯9♯5, Dmaj9♯11/B, G13, G7♯5, Cmaj7, G♯9♯5, A♯13, A♯9♯5, D♯m9, F♯m9/B, G♯7♭9♯5, Dmaj7♯11/B.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#