Do Re MiC D E

My Man's Gone Now

Gershwin George4/4waltz
C♯maj9/B
G13
G7♭9sus4
G7♯9♯5
C♯maj9♯11/B
G7♯9♯5
C♯maj9/B
G13
G7♭9sus4
G7♯9♯5
C♯maj9♯11/B
G7♯9♯5
F♯13
F♯7♯5
G13
G9♯5
A13
A9♯5
Fm9/B
G7♭9♯5
C♯maj7♯11/B
G7♯9♯5

Chord Diagrams — My Man's Gone Now in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm9
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134
C♯maj9/B
3frEADGBEx2143x
EADGBE1111x4
8frEADGBE111243
10frEADGBExx2143
G13
3frEADGBE11x234
EADGBE321
3frEADGBE111324
9frEADGBEx21334
C7♯9
3frEADGBE11x32
EADGBEx2134x
8frEADGBE111324
9frEADGBExx2134
Fm9
EADGBEx1234
EADGBE111134
6frEADGBEx21344
11frEADGBE21344
G7♭9sus4
EADGBE111x23
EADGBE11324
4frEADGBE11xx23
9frEADGBE11x234
G7♯9♯5
G - B - D♯ - F - A♯
C♯maj9♯11/B
EADGBEx42311
4frEADGBE11x234
8frEADGBE111123
9frEADGBE111234
F♯13
EADGBE2314
EADGBE111234
7frEADGBEx4231
9frEADGBE111134
F♯7♯5
EADGBE1x234x
4frEADGBExx1423
7frEADGBEx4312
9frEADGBE11x432
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
G9♯5
EADGBE21314x
EADGBE321
9frEADGBEx21334
12frEADGBEx1324
A13
EADGBEx123
3frEADGBE4231
5frEADGBE111324
11frEADGBE44x213
A9♯5
EADGBEx2413
3frEADGBE3214
5frEADGBEx1234
11frEADGBEx2134
Dm9
3frEADGBEx21344
EADGBE132
5frEADGBEx1423
10frEADGBE111134
Fm9/B
EADGBEx1234
EADGBE111134
6frEADGBEx21344
11frEADGBE21344
G7♭9♯5
G - B - D♯ - F - A♭
C♯maj7♯11/B
EADGBEx42311
4frEADGBE11x234
8frEADGBE111123
9frEADGBE111234

Explore More

My Man's Gone Now in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C# (ascending half step), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G (ascending whole step), G to G (ascending unison), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to G (descending major third), G to A (ascending whole step), A to A (ascending unison), A to D (ascending perfect fourth), D to F (ascending minor third), F to G (ascending whole step), G to C# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to C by half step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 33 bars · Form: AB

Chords: Cm9, C♯maj9/B, G13, C7♯9, Fm9, G7♭9sus4, G7♯9♯5, C♯maj9♯11/B, F♯13, F♯7♯5, Bmaj7, G9♯5, A13, A9♯5, Dm9, Fm9/B, G7♭9♯5, C♯maj7♯11/B.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C