Do Re MiC D E

My Man's Gone Now

Gershwin George4/4waltz
Amaj9/B
D♯13
D♯7♭9sus4
D♯7♯9♯5
Amaj9♯11/B
D♯7♯9♯5
Amaj9/B
D♯13
D♯7♭9sus4
D♯7♯9♯5
Amaj9♯11/B
D♯7♯9♯5
D13
D7♯5
D♯13
D♯9♯5
F13
F9♯5
C♯m9/B
D♯7♭9♯5
Amaj7♯11/B
D♯7♯9♯5

Chord Diagrams — My Man's Gone Now in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m9
4frEADGBE111134
EADGBE11143
7frEADGBE221341
9frEADGBEx21344
Amaj9/B
4frEADGBE11243
EADGBE11x34
5frEADGBEx2314
11frEADGBE22143x
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
G♯7♯9
5frEADGBE44xx31
EADGBE213334
4frEADGBE114432
10frEADGBEx2134x
C♯m9
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134
D♯7♭9sus4
5frEADGBE11x234
EADGBExx24
6frEADGBE11x34
9frEADGBE3241xx
D♯7♯9♯5
D♯ - G - B - C♯ - E♯#
Amaj9♯11/B
6frEADGBE11x34
EADGBEx2134
4frEADGBE111123
9frEADGBE11x423
D13
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
D7♯5
5frEADGBE11x432
EADGBExx412
4frEADGBEx213x4
10frEADGBE1x234x
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
D♯9♯5
5frEADGBEx21334
EADGBE111234
9frEADGBE42x31
10frEADGBE11234x
F13
7frEADGBE44x213
EADGBE111324
EADGBE111234
8frEADGBE111134
F9♯5
7frEADGBEx21334
EADGBE1243
5frEADGBE111234
12frEADGBE11234x
A♯m9
6frEADGBE111134
2frEADGBExx2413
4frEADGBE113x24
11frEADGBEx2134x
C♯m9/B
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134
D♯7♭9♯5
D♯ - G - B - C♯ - E
Amaj7♯11/B
6frEADGBE11x34
EADGBEx2134
4frEADGBE111123
9frEADGBE11x423

Explore More

My Man's Gone Now in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A (ascending half step), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to D# (ascending unison), D# to A (ascending tritone), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to D# (descending major third), D# to F (ascending whole step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to D# (ascending whole step), D# to A (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to G# by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 33 bars · Form: AB

Chords: G♯m9, Amaj9/B, D♯13, G♯7♯9, C♯m9, D♯7♭9sus4, D♯7♯9♯5, Amaj9♯11/B, D13, D7♯5, Gmaj7, D♯9♯5, F13, F9♯5, A♯m9, C♯m9/B, D♯7♭9♯5, Amaj7♯11/B.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#