Do Re MiC D E

My Man's Gone Now

Gershwin George4/4waltz
Cmaj9/B
F♯13
F♯7♭9sus4
F♯7♯9♯5
Cmaj9♯11/B
F♯7♯9♯5
Cmaj9/B
F♯13
F♯7♭9sus4
F♯7♯9♯5
Cmaj9♯11/B
F♯7♯9♯5
F13
F7♯5
F♯13
F♯9♯5
G♯13
G♯9♯5
Em9/B
F♯7♭9♯5
Cmaj7♯11/B
F♯7♯9♯5

Chord Diagrams — My Man's Gone Now in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm9
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
Cmaj9/B
EADGBEx3
EADGBE22143x
5frEADGBE11113
8frEADGBE11x234
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
B7♯9
EADGBEx2134x
5frEADGBE3241
7frEADGBE114432
8frEADGBExx2134
Em9
EADGBE24
EADGBE1243
5frEADGBEx21344
10frEADGBE11324
F♯7♭9sus4
EADGBE2134
3frEADGBE11xx23
8frEADGBE11x234
12frEADGBE3241xx
F♯7♯9♯5
F♯ - A♯ - D - E - A
Cmaj9♯11/B
EADGBEx4231
3frEADGBE11x234
7frEADGBE111123
8frEADGBE111234
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
F7♯5
EADGBE1234x
3frEADGBExx1423
8frEADGBE11x432
12frEADGBE213x4x
A♯maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
F♯9♯5
EADGBE11234
7frEADGBEx3214
8frEADGBEx21334
11frEADGBE4x231
G♯13
EADGBE111432
4frEADGBE111324
4frEADGBE111234
10frEADGBE44x213
G♯9♯5
EADGBE111234
3frEADGBE11234
4frEADGBExx1234
10frEADGBEx2134
C♯m9
EADGBEx21344
5frEADGBE222x14
7frEADGBEx13244
9frEADGBE111134
Em9/B
EADGBE1243
EADGBE24
5frEADGBEx21344
10frEADGBE11324
F♯7♭9♯5
F♯ - A♯ - D - E - G
Cmaj7♯11/B
EADGBEx4231
3frEADGBE11x234
7frEADGBE111123
8frEADGBE111234

Explore More

My Man's Gone Now in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to C (ascending half step), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to F# (ascending unison), F# to C (ascending tritone), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to G# (ascending whole step), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to F# (ascending whole step), F# to C (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to B by half step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 33 bars · Form: AB

Chords: Bm9, Cmaj9/B, F♯13, B7♯9, Em9, F♯7♭9sus4, F♯7♯9♯5, Cmaj9♯11/B, F13, F7♯5, A♯maj7, F♯9♯5, G♯13, G♯9♯5, C♯m9, Em9/B, F♯7♭9♯5, Cmaj7♯11/B.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B