Do Re MiC D E

My Man's Gone Now

Gershwin George4/4waltz
Fmaj9/B
B13
B7♭9sus4
B7♯9♯5
Fmaj9♯11/B
B7♯9♯5
Fmaj9/B
B13
B7♭9sus4
B7♯9♯5
Fmaj9♯11/B
B7♯9♯5
A♯13
A♯7♯5
B13
B9♯5
C♯13
C♯9♯5
Am9/B
B7♭9♯5
Fmaj7♯11/B
B7♯9♯5

Chord Diagrams — My Man's Gone Now in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324
Fmaj9/B
7frEADGBEx2143x
EADGBE132
EADGBExx2314
10frEADGBE11xx34
B13
7frEADGBE111234
EADGBE44x213
EADGBE111134
4frEADGBE111432
E7♯9
6frEADGBEx2134x
EADGBE214
3frEADGBE312
9frEADGBE11123
Am9
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
B7♭9sus4
5frEADGBE3241xx
EADGBE11x234
7frEADGBE111x23
8frEADGBE11xx23
B7♯9♯5
B - D♯ - G - A - D
Fmaj9♯11/B
5frEADGBE11x423
EADGBE12
EADGBExx213
8frEADGBE11x234
A♯13
6frEADGBE111234
EADGBE44x12
4frEADGBE1132
12frEADGBE44x213
A♯7♯5
6frEADGBE1x234x
EADGBE11x432
8frEADGBExx1423
12frEADGBEx213x4
D♯maj7
6frEADGBE111324
EADGBE11333x
3frEADGBE111x43
8frEADGBE111xx4
B9♯5
6frEADGBE11234x
EADGBEx21334
4frEADGBE111234
11frEADGBE111234
C♯13
7frEADGBE222341
EADGBEx4231
4frEADGBE111134
9frEADGBE111234
C♯9♯5
7frEADGBE4213x
3frEADGBEx21334
8frEADGBE11234x
9frEADGBE11423
F♯m9
7frEADGBEx21344
EADGBE2314
EADGBE111123
10frEADGBExx2413
Am9/B
8frEADGBE132
EADGBEx2413
5frEADGBE111134
10frEADGBEx21344
B7♭9♯5
B - D♯ - G - A - C
Fmaj7♯11/B
8frEADGBE11x234
EADGBE12
EADGBExx213
5frEADGBE11x423

Explore More

My Man's Gone Now in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F (ascending half step), F to B (ascending tritone), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to B (ascending whole step), B to B (ascending unison), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to B (descending major third), B to C# (ascending whole step), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to A (ascending minor third), A to B (ascending whole step), B to F (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to E by half step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 33 bars · Form: AB

Chords: Em9, Fmaj9/B, B13, E7♯9, Am9, B7♭9sus4, B7♯9♯5, Fmaj9♯11/B, A♯13, A♯7♯5, D♯maj7, B9♯5, C♯13, C♯9♯5, F♯m9, Am9/B, B7♭9♯5, Fmaj7♯11/B.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E