Do Re MiC D E

My Man's Gone Now

Gershwin George4/4waltz
D♯maj9/B
A13
A7♭9sus4
A7♯9♯5
D♯maj9♯11/B
A7♯9♯5
D♯maj9/B
A13
A7♭9sus4
A7♯9♯5
D♯maj9♯11/B
A7♯9♯5
G♯13
G♯7♯5
A13
A9♯5
B13
B9♯5
Gm9/B
A7♭9♯5
D♯maj7♯11/B
A7♯9♯5

Chord Diagrams — My Man's Gone Now in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dm9
3frEADGBEx21344
EADGBE132
5frEADGBEx1423
10frEADGBE111134
D♯maj9/B
3frEADGBE1111x4
5frEADGBEx2143x
8frEADGBE1111x4
11frEADGBExx2314
A13
3frEADGBE4231
EADGBEx123
5frEADGBE111324
11frEADGBE44x213
D7♯9
4frEADGBEx2134x
7frEADGBE412
7frEADGBE111x23
10frEADGBE111324
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
A7♭9sus4
6frEADGBE11xx23
EADGBE11x23
5frEADGBE111423
11frEADGBE11x234
A7♯9♯5
A - C♯ - F - G - C
D♯maj9♯11/B
6frEADGBE11x234
EADGBEx314x
3frEADGBE11x423
10frEADGBE111123
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
A9♯5
3frEADGBE3214
EADGBEx2413
5frEADGBEx1234
11frEADGBEx2134
B13
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
B9♯5
4frEADGBE111234
EADGBEx21334
6frEADGBE11234x
11frEADGBE111234
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324
Gm9/B
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
A7♭9♯5
A - C♯ - F - G - B♭
D♯maj7♯11/B
6frEADGBE11x234
EADGBEx314x
3frEADGBE11x423
10frEADGBE111123

Explore More

My Man's Gone Now in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to D# (ascending half step), D# to A (ascending tritone), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to A (ascending whole step), A to A (ascending unison), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to A (descending major third), A to B (ascending whole step), B to B (ascending unison), B to E (ascending perfect fourth), E to G (ascending minor third), G to A (ascending whole step), A to D# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to D by half step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 33 bars · Form: AB

Chords: Dm9, D♯maj9/B, A13, D7♯9, Gm9, A7♭9sus4, A7♯9♯5, D♯maj9♯11/B, G♯13, G♯7♯5, C♯maj7, A9♯5, B13, B9♯5, Em9, Gm9/B, A7♭9♯5, D♯maj7♯11/B.

Scales for Improvisation D bebop minor, D bebop.

Diatonic chords: See all chords in the key of D