Do Re MiC D E

My Man's Gone Now

Gershwin George4/4waltz
A♯maj9/B
E13
E7♭9sus4
E7♯9♯5
A♯maj9♯11/B
E7♯9♯5
A♯maj9/B
E13
E7♭9sus4
E7♯9♯5
A♯maj9♯11/B
E7♯9♯5
D♯13
D♯7♯5
E13
E9♯5
F♯13
F♯9♯5
Dm9/B
E7♭9♯5
A♯maj7♯11/B
E7♯9♯5

Chord Diagrams — My Man's Gone Now in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am9
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
A♯maj9/B
5frEADGBE11243x
EADGBE1113x
3frEADGBE111143
6frEADGBE112234
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
A7♯9
5frEADGBE114432
6frEADGBExx2134
8frEADGBEx4213
11frEADGBEx2134x
Dm9
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134
E7♭9sus4
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
E7♯9♯5
E - G♯ - C - D - G
A♯maj9♯11/B
6frEADGBE111234
EADGBE11x234
5frEADGBE111123
10frEADGBE11x423
D♯13
6frEADGBE111134
5frEADGBE44x213
9frEADGBE11423
11frEADGBE111234
D♯7♯5
6frEADGBE11x432
EADGBExx1423
9frEADGBE3241
11frEADGBE1x234x
G♯maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
E9♯5
6frEADGBEx21334
EADGBE3142
4frEADGBE11234
9frEADGBE11123
F♯13
7frEADGBEx4231
EADGBE2314
EADGBE111234
9frEADGBE111134
F♯9♯5
7frEADGBEx3214
EADGBE11234
8frEADGBEx21334
11frEADGBE4x231
Bm9
7frEADGBE111134
EADGBEx1234
3frEADGBE222x14
10frEADGBE112234
Dm9/B
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134
E7♭9♯5
E - G♯ - C - D - F
A♯maj7♯11/B
5frEADGBE111123
EADGBE11x234
6frEADGBE111234
10frEADGBE11x423

Explore More

My Man's Gone Now in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A# (ascending half step), A# to E (ascending tritone), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to E (ascending whole step), E to E (ascending unison), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to E (descending major third), E to F# (ascending whole step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to D (ascending minor third), D to E (ascending whole step), E to A# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A by half step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 33 bars · Form: AB

Chords: Am9, A♯maj9/B, E13, A7♯9, Dm9, E7♭9sus4, E7♯9♯5, A♯maj9♯11/B, D♯13, D♯7♯5, G♯maj7, E9♯5, F♯13, F♯9♯5, Bm9, Dm9/B, E7♭9♯5, A♯maj7♯11/B.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A